Only a decade or so old, but WordPress kept dropping hints that my blog format was outdated and becoming obsolete. The time was approaching that it would no longer function on the platform.
So here it is: the first post with a new look in a format I am trying to master. I promise not to include any of the curse words that my slip out of my mouth as I try to make heads and tails of it.
It happens to be that time of the year, halfway through, for that exciting list of what posts you have clicked on most during the past 12 months. My book has not dropped off the list yet, and I am grateful for that and that you continue to let the blog play boulevardier even though the writer actually is in a state of corona-hibernation.
Haunting the Graveyard: Unearthing the Story of the Coker Settlement
Know it appears suspicious that a post about the author’s book that finally made it into print popped up as the most-read by you during the past year, but you actually were that kind.
Of course, the controversial redevelopment plans for Alamo Plaza still remain of grave concern for those who love San Antonio. Will the plaza be fenced in? Will the Texas General Land Office repurpose the buildings on the west side of the plaza as a new museum or bulldoze those important historic landmarks? So many design issues remain unresolved as we enter 2020.
The author always hope postcards sent back from other places help tease out the boulevardier in you, seducing you into traveling more and serving as helpful guides when you do.
The following list represents the posts you clicked most in 2019, with the number in parentheses representing rankings from six months ago.
Not sure what it says about my self-esteem, but selfies rarely creep into my camera lens. The most frequent exceptions arise from an obsession with reflections.*
Much like the Slow Food movement of Turin, delivery of “postcards” from our 2018 trip to Italy make snail mail appear efficient.
But here are the final random shots leftover from our sojourn in Turin:
Galleria d’Arte Moderna e Contemporanea di Torino
CAMERA – Centro Italiano per la Fotografia
The Mister in Galleria d’Arte Moderna e Contemporanea di Torino.
reflection of the Mole Antonelliana
Maurizio Nannucci at Galleria d’Arte Moderna e Contemporanea di Torino
*Please note: In the featured photo, my selfie is the shadowy figure on the left. Not the skull.
Postcards from Barton Springs 