Sophie Wahrmund clasps her hands together over her heart. “After Papa’s funeral, I couldn’t bring myself to think of leaving all the family in Fredericksburg. I started weeping the minute they started playing ‘Oh Fair, Oh Sweet, Oh Holy!’ and didn’t stop dabbing at my eyes until we pulled up to the front door. Yet here I am, thoroughly wrapped up in this wedding. How can one so rapidly leap from the depths of despair to a state of bliss? My tears of mourning have been replaced by those of joy.”
“Nothing helps heal loss like births or weddings, Sophie.”
The fireflies are beginning to flicker as servants wander through the yard lighting candles at all the tables. Over Sophie’s shoulder, Emma catches a glimpse of her husband on the dance floor. She smiles. Otto’s partner is none other than the groom’s grandmother, Johanna Steves. While Otto does do a turn or two or more with some of the prettiest women in town, he always takes care to alternate them with the oldest widows available at any social occasion. “And your Jennie just looks positively radiant in that green.”
Take Two: This post originally appeared on this blog in January of 2016, but, on the eve of an extremely rare meeting of the Citizens Alamo Advisory Committee, it seems appropriate to reemphasize the historical importance of the Crockett Block. If you know someone on the committee (list here), please forward this to them. Scott Huddleston reports in the Express-News that access to the 9 a.m. September 30 meeting can be obtained: “Details about online access to view the meeting are posted on the city’s website, sanantonio.gov. under City Council & Committee Meeting Agendas.”
Dedicated to the promotion and dissemination of modern and contemporary art in the Yucatan, the Fernando Garcia Ponce-Macay Museum opened in 1994 in a prominent landmark (built in 1573) on Merida’s Plaza Mayor adjacent to the Cathedral. A passageway between the two was enclosed with glass in 2001 and offers the opportunity to house large works for the public to interact with on a daily basis.
The main exhibition while we were in Merida early this year placed Timoteo in the spotlight. The plump, elfin-like, endearing Timo allows artist Rodrigo de la Sierra “to embrace the subtle art of the metaphor.”