Category: france

Postcard from Brussels, Belgium: Mystical gardens of Malines’ Beguines

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Enclosed garden showing Daniel in the lion's den
A Belgian postage stamp featuring a depiction of the city of Mechelen, showcasing its architecture and bells.

Above: “Daniel in the Lions’ Den,” with Saint Peter on the left and Saint John on the right, 1500-1550, Hof van Busleyden Museum, Mechelen (Malines), Belgium.

There are among us women whom we have no idea what to call, ordinary women or nuns, because they live neither in the world nor out of it.”

Guibert of Tournai (1200-1284), 1274, via “Sisters Between: Gender and the Medieval Beguines,” Abby Stoner, Kenyon College

The Mother Abbess in The Sound of Music might have wondered what she was going to do about Maria, but that’s nothing compared to the befuddlement of the Roman Catholic hierarchy in the 13th century figuring out how to control the Beguine Sisters.

Limited options were permitted women in the medieval ages: subjugate themselves in marriage or enter a cloistered convent for life. Those limited choices are what attracted women to voluntarily cluster together in houses, forming their own communities on the outskirts of towns – beguinages. They donned habits similar to those of nuns and committed themselves to chastity, albeit not necessarily a lifetime commitment.

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Postcard from Montpellier, France: ‘Objectotherapy’ in Sete

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A vintage French postage stamp featuring a graphic depiction of a waterfront building in Sete, with a boat in the foreground and hills in the background, labeled "REPUBLICQUE FRANÇAISE" and marked with a value of "25F".

Above: Detail of one assemblage found in glass display cases of “Les Vitrines de Bernard Belluc” at MIAM – Museum of Modest Arts in Sete.

Maybe you first need to cue up a little Felliniesque background music for this post. MIAM – Musee International des Arts Modestes has its own hymn or anthem, composed and performed by Pascal Comelade (1955-) and General Alcozar, to celebrate the opening of the museum in 2000.

MIAM in Sete

“At the turn of the 1980s, the notion of Modest Arts was coined by Herve Di Rosa to designate a set of objects that elude all classifications and do not belong to Great Art. Popular figures, Action Figures, amateur paintings, devotional objects, tourist objects, advertising signs, body arts, video game imagery, from here or elsewhere, these abandoned or downgraded productions challenge us and form the labile territory of the Modest Arts, a dynamic space with shifting borders, capable of constantly renewing itself.” The Modest Arts, MIAM website

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Postcard from Paris, France: Artistic response to animal artifacts

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A vintage postage stamp from France featuring an illustration of a deer, labeled 'Le Cerf', with a natural landscape background and text indicating 'Histoire Naturelle de Buffon'.

Above: Artist Edi Dubien’s addition of a tutu to a stuffed wild boar in the collection of Musee de la Chasse et de la Nature dramatically alters its perceived character.

My word was ignored, it could be heard without hearing it, it could disturb…. I make my characters speak, it’s the wounded childhood that I evoke, this ‘thing’ that comes out of my drawings is a cry, it’s a cry for life.”

Artist Edi Dubien

Your assignment, should you accept it, is to consider an entire museum stretching through the rooms of two historical mansions in Paris as your canvas. You are expected to interact with the immense collection housed within – one that includes paintings of hunting scenes, sculpture and a crowd of mounted deer racks and taxidermized animals of all sizes.

A contemporary artist’s dream commission. The Museum of Hunting and Nature extends the invitation for solo exhibitions to selected artists annually. Founded in 1967 by Jacqueline and Francois Sommer, the museum has broadened its focus from its core collection concentrating on hunting to the relationship between man and animal.

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