Austin, Texas: Fanfare for the dead adds to our melting pot

feathered headdresses adorn dancers parading for day of the dead in austin
Colorful Día de los Muertos sugar skull stamp labeled “USA Forever,” surrounded by flowers and candles.

Above: Folkloric dancers wearing colorful feathered headdresses participate in Mexic-Arte Museum’s annual Viva la Vida fiesta in downtown Austin.

Death is democratic, given that in the end, blond or dark, rich or poor, all people end up being skeletons.”

Jose Guadalupe Posada (1852-1913)

For many in this country, ghosts and skeletons are regarded as frightening spirits one should try to outrun. The dead should remain firmly anchored under their grave markers. But Mexican Americans have contributed a cultural change in how death is viewed. Ancestral spirits can be invited to visit, welcomed with family feasts and fiestas.

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Postcard from Montpellier, France: ‘Objectotherapy’ in Sete

A vintage French postage stamp featuring a graphic depiction of a waterfront building in Sete, with a boat in the foreground and hills in the background, labeled "REPUBLICQUE FRANÇAISE" and marked with a value of "25F".

Above: Detail of one assemblage found in glass display cases of “Les Vitrines de Bernard Belluc” at MIAM – Museum of Modest Arts in Sete.

Maybe you first need to cue up a little Felliniesque background music for this post. MIAM – Musee International des Arts Modestes has its own hymn or anthem, composed and performed by Pascal Comelade (1955-) and General Alcozar, to celebrate the opening of the museum in 2000.

MIAM in Sete

“At the turn of the 1980s, the notion of Modest Arts was coined by Herve Di Rosa to designate a set of objects that elude all classifications and do not belong to Great Art. Popular figures, Action Figures, amateur paintings, devotional objects, tourist objects, advertising signs, body arts, video game imagery, from here or elsewhere, these abandoned or downgraded productions challenge us and form the labile territory of the Modest Arts, a dynamic space with shifting borders, capable of constantly renewing itself.” The Modest Arts, MIAM website

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