Hallowed inspiration for bedeviled costumes

articulated demon-scarer cathedral museum of leon

Above: A 17th-century articulated “espantadiablo,” Cathedral Museum of Leon, Spain

The devil-scarer or demon-scarer is part of the repertoire of figures and amulets that, due to their ugliness, represented evil. They were used in exorcism rites…. This devil-scarer… is believed to have come from a female convent and was used as a ‘weapon’ to scare away or exorcise the carnal desires of the novices and nuns.”

“The devil-scarer against female sexual desire,” Ana Gaitero, Diario de Leon, January 24, 2023

If seeking a terrifying look this Halloween, dressing as the caped crusader found in the Cathedral Museum of Leon, Spain, with a milky white stare and threatening toothless scream, would more than accomplish your goal.

Critics of American Halloween customs complain frightening ghoulish and violent costumes defile the religious origins of All Hallowed Eve, a holy day preceding All Saints’ Day and All Souls’ Day. But it is not difficult to see how costumes developed from traditional religious portrayals of good and evil through the centuries.

Skelton costumes have become ubiquitous. Why not seek out fresh inspiration for costumes in centuries-old religious art? One could go noble by dressing as Saint George slaying the dragon.

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Postcard from Catania, Sicily: Homecoming for Sant’Agata

A stamp featuring the celebration of Saint Agatha, highlighting the 900th anniversary of her relics' return to Catania, Italy. It depicts a crowned figure of Saint Agatha with a church in the background.

Above: During a solemn ceremony in front of Cattedrale Metropolitana di Sant’Agata this week, relics of Saint Agatha are returned to her newly restored reliquary. Screen grab from video on La Sicilia, August 17, 2026.

Saint Agatha (231?-251?) has been celebrated in the news recently, nowhere more than in Sicily. The occasion was the 900th anniversary of her return to her birthplace, Catania, and the Vatican marked it with a major meaningful gift. Would have loved to be there to witness it but will have to rely on others.

Affectionately called Santuzza by some, Saint Agatha was martyred in her hometown. After a vindictive, spurned suitor reported her illegal Christian beliefs to the Roman authorities, her torture began. If you do not know Agatha’s story, look back to this post from one of our visits to Sicily. One of the devious punishments inflicted upon her led her status as the patron saint of those women suffering from breast cancer and workers who toil in bell foundries.

One of the 12 Virgin Saints celebrated during Mass, Agatha gained popularity in Catania immediately following her death, as she received credit for miraculously halting an impending eruption of Mount Etna. The faithful enshrined her remains as sacred relics.

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Postcard from Trieste, Italy: Nightmarish end to palatial dreams

An Italian postage stamp featuring a scenic view of the Miramare Gardens in Trieste, showcasing neatly trimmed hedges, a statue, and a fountain against a background of trees and the sea.

Above: Miramare, a palace erected by Princess Charlotte of Belgium and Archduke Ferdinand Maximilian of Austria

At age 22, Archduke Ferdinand Maximilian (1832-1867) was named Commander-in-Chief of the Austrian Navy. Sailing in 1855 in the Gulf of Trieste, then ruled by the Kingdom of Austria, the young archduke spotted a promontory jutting out into the water. Barren, rocky, yet a gorgeous waterfront view on three sides. He decided to acquire the land for his home.

Construction of the house, which he named Miramare, was already underway at the time of his 1857 marriage to Princess Charlotte of Belgium (1840-1927). Also in 1857, his older brother, Emperor Franz Joseph I of Austria (1830-1916), appointed Maximilian Viceroy of Lombardy-Venetia.

The couple moved into the Royal Palace of Milan while continuing work on Miramare. Charlotte’s royal dowry contributed to the money-pit project, including bringing in tons of dirt and topsoil for extensive gardens. Surrounded by all the requisite family portraits, the couple moved into their completed dream home in 1860.

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