Above: “No al Maltrato Animal,” #savethechicken
There are pockets in Zaragoza full of street art, but somehow our meandering paths this past spring did not stumble across many of them. The city’s efforts to turn abandoned buildings into artists’ canvases through its Festival Asalto can be found here, a website I wish I’d tracked down while there.
So this post combines a few of our snapshots of art seen on the streets with artistic commercial signs and will remind me to do a minimal amount of research before striking out on long urban walks on future trips.
Continue reading “Postcard from Zaragoza, Spain: Vowing to map out street-art stalking”
Above: “Virgin of the Tailors,” Cusco, Peru, circa 1750, on loan from Museo Pedro de Osma, Lima
Late-colonial New Spain was awash with conflicting energies: American-born Spaniards (Creoles), like their North American counterparts, felt a growing desire for independence, yet needed their identification with Europe to cement their sense of superiority over the racialized indigenous, African, and mixed-race lower classes….”
“Casta Painting and the Rhetorical Body,” Christa Olson, Rhetoric Society Quarterly, Fall 2009
And 18th-century fashion statements as recorded in paintings and sculpture became a tool to exhibit the claimed superiority of those with pure, or at least high, percentages of Spanish blood flowing through their veins. On display at the Blanton Museum of Art through January 8, Painted Cloth: Fashion and Ritual in Colonial Latin America focuses on the societal role of textiles in conveying class distinctions.
Continue reading “Caste discrimination woven into Spanish Colonial art of the Americas”
Above: 1914 Labor Day photograph of workers in front of Maverick Building on Alamo Plaza provided by Connie Fuller to Paula Allen for The History Column appearing in the November 7, 2013, issue of the San Antonio Express-News
Labor Day was the only national holiday between July 4 and Christmas.”
Carol Boyd Leon, “The Life of American Workers in 1915,” Monthly Labor Review, U.S. Bureau of Labor Statistics
With a dearth of holidays, it should come as no surprise that more than 50 unions turned out for San Antonio’s Labor Day Parade in 1911. A crowd of 5,000 gathered at the fairgrounds. “Colonel” Otto Wahrmund, vice president of the San Antonio Brewing Association which produced Pearl Beer, remarks in An Ostrich-Plumed Hat, and Yes, She Shot Him Dead, that there they encountered the excitement of the beer drivers’ union striving to have their candidate crowned queen; sporting events such as the fat men racing for 75 yards or the old men (50 years and up, how insulting!) crawling 50 yards to win a purse of $2; and fiery political speeches.
Continue reading “19-teens Labor: Major holiday marches, brewing concerns and Colonel dogs”