Category: Mexico

Postcard from Guadalajara, Mexico: La Zaponita worked miracles; others prophesized doom

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A vintage postal stamp commemorating the centenary of Guadalajara, Mexico, featuring an illustration of the Templo de Zapopan, dated 1542 and 1942.

Above: Detail of an outdoor sculpture by Javier Marin (1962-) on a plaza in Zapopan.

When the sculpture opens its eyes, it already has a soul.”

Sculptor Javier Marin

Arriving barefoot in what was then a village outside of Guadalajara, Spanish-born Fray Antonio de Segovia (1485-1570) bore a doll-size figure of the Virgin Mary around his neck. This effigy was believed to protect him on his journeys thoughout the Tonallan Kingdom as he sought to convert the Native Americans under the rule of Queen Cihualpilli Tzapotzinco. The queen herself was among his converts, and Fray Antonio established an abbey and presented the converts of this village with the statuette he had worn for ten years.

The statue was made by Purépecha Indians in Pátzcuaro using traditional methods. First, a skeleton was constructed out of sugar canes and cornstalks. Then, a special paste or dough called tatzingueni was applied to flesh out the figure. This tatzingueni was made of corn stalk pulp and the juice of a local orchid which gave the paste a latex quality and would prevent the finished product from rotting or spoiling.”

“The Virgin of Zapopan,” Robert Bitto, Mexico Unexplained

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Postcard from Guadalajara, Mexico: The anguish of man battling oppression

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A postage stamp commemorating the 175th anniversary of the death of Miguel Hidalgo, featuring an artistic depiction by J.C. Orozco. The design showcases Hidalgo in a dramatic pose, with vivid colors and expressive details.

Above: Rotating views of Jose Clemente Orozco’s “Man of Fire” fresco in the dome of Instituto Cultural Cabanas, 1937-1939

An artist is a freedom fighter, fighting for the liberation of the human spirit.”

Jose Clemente Orozco (1883-1949)

At the age of 20, Orozco was in the process of prepping fireworks, when: Boom! He delayed treatment, and gangrene gained hold of his wound. So, his left hand had to be removed, a tragedy that spared him from being drafted into the trenches of the Mexican Revolution.

But the artist did not stand idly as history unfolded; he honed art as his weapon. His art evolved into something stark, dark and boldly modern. His offensive was against all and any institutions that kept the common man in a state of poverty – art meant to shame the rich and privileged and inspire the poor.

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Postcard from Trieste, Italy: Nightmarish end to palatial dreams

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An Italian postage stamp featuring a scenic view of the Miramare Gardens in Trieste, showcasing neatly trimmed hedges, a statue, and a fountain against a background of trees and the sea.

Above: Miramare, a palace erected by Princess Charlotte of Belgium and Archduke Ferdinand Maximilian of Austria

At age 22, Archduke Ferdinand Maximilian (1832-1867) was named Commander-in-Chief of the Austrian Navy. Sailing in 1855 in the Gulf of Trieste, then ruled by the Kingdom of Austria, the young archduke spotted a promontory jutting out into the water. Barren, rocky, yet a gorgeous waterfront view on three sides. He decided to acquire the land for his home.

Construction of the house, which he named Miramare, was already underway at the time of his 1857 marriage to Princess Charlotte of Belgium (1840-1927). Also in 1857, his older brother, Emperor Franz Joseph I of Austria (1830-1916), appointed Maximilian Viceroy of Lombardy-Venetia.

The couple moved into the Royal Palace of Milan while continuing work on Miramare. Charlotte’s royal dowry contributed to the money-pit project, including bringing in tons of dirt and topsoil for extensive gardens. Surrounded by all the requisite family portraits, the couple moved into their completed dream home in 1860.

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