Category: austin

Japanese woodblock prints at Blanton reflect ‘Floating World’ values

postcardsfromsanantonio1 Comment

Above: “Shadows on the Shoji,” Kikukawa Eizan, 1815

The two fashionably dressed courtesans in the foreground appear to have just stepped away from a lively party and are chatting on a veranda. The drinking and flirting figures inside cast shadows against the shoji (lattice-and-paper screen doors) of the brothel behind them.”

Curatorial notes for “Shadows on the Shoji,” Blanton Museum of Art

1815. The date surprised me, due to my lack of understanding the accepted restrictive roles assigned courtesans and geishas in Japanese culture. The witty social commentary and humor contained in Edo-era (1603-1868) woodblock prints in “The Floating World: Masterpieces from the Edo Period” on display at the Blanton Museum of Art prove captivating.

Continue reading “Japanese woodblock prints at Blanton reflect ‘Floating World’ values” →

March music madness, food and follies

postcardsfromsanantonioLeave a comment

Above: Bottlecap Mountain playing at The Highball

Not sure how many people were registered officially for the first four days of SXSW 2024 (SouthBy ’24), but there were more than 75,000 from 100 countries in 2023. Those are mainly the techies. Add in the film and music festival attendance throughout the week, and the number doubles. There were somewhere in the range of 1,500 acts scheduled, not counting the unofficial ones rippling across music venues throughout the city.

In other words, Austin was hopping.

We are among the fringe attendees who avail themselves of a couple of the many free or low-cost events not requiring badges. Some snapshots from those, several at The Saxon Pub, are found below, along with a snippet of Bottlecap Mountain’s new “I’ve Got Something for You.”

Continue reading “March music madness, food and follies” →

No need to travel afar to engage with contemporary art

postcardsfromsanantonio1 Comment

Above: Detail of “11th-Century Persia to 19th-Century America,” from “The Black God Tapestry,” Sandra M. Sawatzky, 2008-2017

Today many of us have become so accustomed to abstractions in contemporary art that any kind of figurative work comes almost as a shock. Yet, how are we to connect to the many non-human worlds that surround us if not through figurative imagery?”

Amitav Ghosh writing about Sandra Sawatzky’s “Black Gold Tapestry”

Through the years, I find myself increasingly drawn to figurative art. After wandering around the Blanton Museum of Art this past weekend, I realized those were the only pieces that caused me to pause and read the descriptive text accompanying them. The only ones I snapped pictures of to share.

The other unifying factor of these images is that all the artists are from North America. And all, save Mexican muralist Sequieros, are living, contemporary artists. Several I have been fortunate enough to meet or hear them speak about their works.

When we travel, we enter as many art museums as we can squeeze into our trip. Yet, when home in Austin, we often fail to make time to see the art available in our own backyard.

Continue reading “No need to travel afar to engage with contemporary art” →