Postcard from Genoa, Italy: Never judge an Italian church by its facade

Located just outside the original walls of Genoa’s historic center and with a mid-1800s Neoclassical façade, the Basilica della Santissima Annunziata de Vastato almost escaped our notice. If not nudged by our landlord, we would have missed the wildly rich Baroque interior added in the 17th century to the church built at the close of the 16th century.

Every church door we passed through in Genoa offered similar visual rewards, as some of these photographs indicate.

 

Postcard from Genoa, Italy: Captain’s castle reflects his circumnavigations of the globe

Service in the Italian Navy and Merchant Navy did not diminish the love Captain Enrico Alberto d’Albertis (1846-1932) had for the sea. He circled the globe three times using diverse forms of transportation, explored Africa and even recreated the journey of Christopher Columbus to San Salvador relying on 15th-century-style navigational instruments he crafted himself. Known also as a writer, philologist and ethnologist, he collected enthusiastically during his travels.

The adventurer’s eclectic collection needed a home reflecting its quirkiness, so the captain helped design a Neo-Gothic Revival castle with major Moorish and other exotic embellishments. Perched atop a hill overlooking Genoa’s harbor, the castle was built between 1886 and1892 in the midst of medieval fortifications and incorporates one of the turrets from the 16th-century bastion.

Captain d’Albertis left his castle and collection to the city of Genoa where it serves as the city’s Museum of World Cultures. Many of the items and furnishings are arranged exactly as when the captain was alive.

The explorer was as colorful as the items he chose to collect. Elisabetta Genecchi-Ruscone delved into his journals to document some of his travels in the Journal de la Societe des Oceanistes:

D’Albertis really seemed to enjoy the thrill of trading for artefacts with natives approaching the ship on their canoes. In Battulei, in the Aru Islands, he reported trading for bracelets and skulls, but it was especially in Orangerie Bay that he did most of his ethnographic collection on this trip. He acquired spears, stone clubs, bamboo combs, cassowary ornaments, and bracelets made out of human mandibles. To the north of Dafure Island D’Albertis reported having nearly succeeded in bartering a piece of iron for a ten-year old boy. The arrival of the boy’s mother thwarted his efforts and instead he obtained a grass skirt.

And from the captain’s diary upon leaving the coast of New Guinea in 1880:

A last greeting to these children of Nature, a farewell, perhaps forever. Chance brought us to know them; we approached them, we may say, for a minute, yet this sufficed to breed in us a sympathy for this people who we call barbarous and savage because they live a life so different from ours. If we knew more intimately their customs we may have reason to be persuaded that they are better than is generally thought….

They had in them something noble, and did not lower themselves to asking or showing desire for what I showed them. No, these personages are something more than savages, they are in the European sense true gentlemen.

Not known for being shy, the flamboyant traveler did sometimes take advantage of the naïve:

To show that I intended being friends with Aira and his people, I hugged and kissed him, in the middle of the village square, then, among general laughter, I went on to kiss all the women: The scene was certainly among the most comical, some shyer women would have refused my embrace, but were incited by the others to let me do. It is true that to be impartial and give my act the true aspect of a ceremony I had to kiss some old and ugly ones, but on the whole there were more young and beautiful ones, and some really were beautiful.

One of the most interesting parts of a visit to the castle is to leaf through albums containing a small portion of the 20,000 photographs taken by the captain at home in Genoa and around the world. To explore images from his amazing journeys, click here.

Street art entices venturing under the overpass

Quincy and St. Mary’s Street under I-35. Not a destination that ever crossed our minds for a walk from King William. That is until this weekend.

More than a dozen San Antonio artists,* organized by the private artist-driven San Antonio Street Art Initiative, tackled the unsightly interstate underpinnings and redefined the homely parking lot leased by the Wyndham Super 8 Hotel into an admission-free outdoor museum.

Composed of leaders of the city’s vibrant street arts scene, SASAI’s mission is to introduce and educate the local community about street and mural art and make our city a destination for street art lovers….

We seek to build and strengthen a street art community here that extends across all areas, activities and people. Street art makes neighborhoods vibrant. Street art extends the arts community outside the walls of museums, brings people to see new places to live and play, provides fresh perspectives for the young and old.

We are focusing initially on developing a visit friendly area in the city featuring a concentrated number of murals that will draw daily foot traffic, cyclists and visitors looking for an alternative beyond traditional tourist routes and attractions.

San Antonio Street Art Initiative

This is an amazingly ambitious and highly successful project.

So looking forward to seeing more.

Financial support for continued artistic efforts is welcomed on the website.

*Identifying who designed each mural was somewhat of an internet scavenger hunt for me…. Corrections are not just welcomed but encouraged.