2018 Roundup: Remember Alamo Plaza

Every six months this blogger reviews what posts people have been reading most during the past year.

San Antonians’ Alamoobsessiveness was ignited by the state’s determination to fence in a designated city park – Alamo Plaza. Related posts dominate this year-end list. A battle lost. Time to move on as the plaza’s fate appears sealed. Hopefully the New Year will bring glad tidings about preserving historic landmarks on the west side of the plaza.

On a more upbeat note, cannot wait for the completion of Margarita Cabrera’s “Arbol de la Vida: Voces de Tierra” on the river near Mission San Francisco de la Espada.

The following list represents the posts you clicked on most, with the numbers in parentheses representing rankings from six months ago:

  1. Alamo CEO applying armtwisting pressure to secure gated plaza, 2018
  2. Forging consensus for the Alamo Comprehensive Plan: Don’t fence us out, 2018 (2)
  3. ‘Tree of Life’ bears bountiful crop of tales from the past, 2018 (4)
  4. King William Home Tour: Historic houses whisper stories of early residents, 2018

    523 King William Street, riverside

  5. The Madarasz murder mystery: Might Helen haunt Brackenridge Park?, 2012 (1)
  6. Please put this song on Tony’s pony, and make it ride away, 2010 (5)
  7. Street art entices venturing under the overpass, 2018 
  8. Marilyn Lanfear buttons up a collection of family stories, 2018
  9. Centenarian Santa still burning bright, 2018 
  10. Postcard from Rome, Italy: A numbers game sparked by the baths, 2018
  11. Postcard from Mexico City: Shimmering with colorful experiences, 2018
  12. Postcard from Genoa, Italy: Hey, don’t knock the peanuts, 2018

Thanks for visiting and your patience with my wanderings via this blog.

Would love to hear from you, so please feel free to “chat back” some. Every post has a comment box at the bottom.

All tuckered out now. Thinking I might need a post-eve-celebration nap.

Monumental Cemetery of Staglieno, Genoa, Italy

And there’s a hand, my trusty fiere! (my trusty friend)
and gie’s a hand o’ thine!
And we’ll tak’ a right gude-willie waught, (good-will draught)
for auld lang syne.

For auld lang syne, my jo,
for auld lang syne,
we’ll tak’ a cup o’ kindness yet,
for auld lang syne.

“Auld Lang Syne,” Robert Burns, 1788

Recycling a few haunted posts to say “Boo” to you

So many “postcards” are backlogged on my desk that I am dusting off some old seasonal favorites for Halloween and Day of the Dead offerings.

First, a few ghost stories from Brackenridge Park to set the tone for Halloween. Her murderers never caught, surely you have glimpsed Helen Madarasz roaming the park at night seeking justice: “The Madarasz Murder Mystery.” The post even throws in a few bonus ghosts who joined her later, all four who died in the park within a one-year period. Or perhaps you have heard the midnight screams of the glamorous Martha Mansfield, whose billowing crinolines set her ablaze in the park during the filming of a Civil War romance in 1923: “The Curse of Mararasz Park: Another Ghost Wandering in Brackenridge Park?”

When our daughter Kate said I could us this circa 1997 photo of her being kidnapped by the Pumpkin Monster, I do not think she realized it would continue to float up to the surface years later: “The Best Halloween.”

Dia de los Muertos, Romerillo, Chiapas

And then move on to some Day of the Dead celebrations in Mexico for All Souls Day and All Saints Day:

Finally, a few stops by graveyards in Europe: https://postcardsfromsanantonio.com/category/haunting-graveyards/

Happy Halloween!

Monumental Cemetery of Staglieno, Genoa, Italy

 

Chin’s enormous prickly pear umbrella offers shelter along the Mission Reach

WHEREAS, A native of the American Southwest and the Sonoran Desert region of Mexico, the prickly pear cactus provided nourishment to the earliest inhabitants of those regions, and both the sweet, fleshy fruit and the broad, flat stems were incorporated into tasty dishes; and

WHEREAS, Tunas, the prickly pear fruit, and nopales, which are made from the stem, have since become staples of the Mexican diet, and their growing popularity in Lone Star cuisine can be attributed to Texans’ appreciation for unusual and distinctive foods; and….

WHEREAS, This adaptable plant can survive under many different environmental conditions, and thus can be found from the hill country of Central Texas to the windswept plateaus and arid mountains of West Texas; because it thrives in a harsh climate that few plants can bear, the prickly pear cactus is often grown as forage for cattle and has had a tremendous positive impact on the vital Texas cattle industry; and

WHEREAS, Rugged, versatile, and uniquely beautiful, the prickly pear cactus has made numerous contributions to the landscape, cuisine, and character of the Lone Star State, and thus it is singularly qualified to represent the indomitable and proud Texas spirit as an official state symbol; now, therefore, be it

RESOLVED, That the 74th Legislature of the State of Texas hereby designate the prickly pear cactus as the official state plant of Texas.

1995 Texas House Concurrent Resolution

Viewed from the east side of the San Antonio River, the graceful arch indeed appears a portal to pathways on the other side. But Mel Chin‘s “CoCobijos” changes appearance as you approach and circle it.

Commissioned by the San Antonio River Foundation to link the Mission Reach of the river to nearby Mission San Jose, the massive steel sculpture represents the pads of two arching prickly pears joined together.

The prickly pear theme arose from two of Houston-born Chin’s first impressions of the area. Interviewed by Jack Morgan for “Texas Standard” on Texas Public Radio, Chin explained:

One: “I was looking at the roofs of the mission and I found that there was a whole planting of them, a bunch of them that have been growing there since the 1930s.”

Two: “After visiting the site… I noticed how hot I was.”

And since: “There’s nothing stronger than the state plant of Texas, I believe.”

Now: “There’s two of them coming together to create a shelter from the sun and a habitat for live cactus growing above.”

According to the San Antonio River Foundation website, Chin reflected about the resiliency of prickly pear and how the plant historically has nurtured people and animals. The lacey steel picado patterns echo the internal structure of nopal pads.

About the same time “CoCobijos” was unveiled in this semi-rural setting, according to Glasstire, Chin was taking over Times Square and several other spots in New York City with multimedia works portraying frightening potential results if global warming is allowed to continue into the future uncontrolled.

The New York installations are gone, but you need only head south from downtown along the San Antonio River to view Chin’s masterful piece of public art now a permanent part of San Antonio’s landscape.