Postcard from Naples, Italy: Virtual church for times restricted to armchair travel

On the left, Saint Sebastian, the protector against the plague, Monumental Complex Donnaregina

During these days when many a traveler unwittingly has brought back coronavirus as an unwelcome souvenir, we remain grounded and semi-cloistered at home in San Antonio. Spring plans canceled.

With churches locking their doors to try to keep their parishioners safely cocooned in their houses, Sunday seems a good time to share some snapshots from churches taken during a fall trip to Naples.

Am including an assortment of saints to serve most any request. Perhaps Saint Sebastian, the protector against the plague, should be a logical choice? Depictions of saints painfully attaining martyrdom are included to remind us that this confinement is not so bad, particularly as we have internet to let us connect with one another and the world.

And am throwing in the body of one saint-in-waiting, the Venerable Giacomo Torno, lying in an incorrupt state since his death in 1609 as a reminder most aspects of Roman Catholicism remain mysterious and incomprehensible to me, an outsider admiring the art and architecture while always avoiding mass.

Postcards from Naples, Italy: Guardians of the streets

Navigating our way around Naples on foot offered us ample opportunities to sense those extra pairs of eyes watching over us….

And spotting the statue of Dante Alighieri (1265-1321), “Il Sommo Poeta/The Supreme Poet” of Italy, gives rise to his cautionary words so applicable to American politics today:

The hottest places in hell are reserved for those who, in times of great moral crisis, maintain their neutrality.

Postcard from Cordoba, Spain: Ducking into a couple of museums

“The Three Ages of the Woman,” Mateo Inurria Lainosa, 1923, Museo de Bellas Artes

The year 1835 jumpstarted the core collection of the Museum of Fine Art, or Bellas Artes, of Cordoba. Artwork held in convents was seized to establish the museum which opened in the former Hospital of Charity, operated by the Order of Saint Francis since the 15th century. Today’s collection focuses on regional artists from the 14th century to contemporary.

When the Archaeological and Ethnographic Museum of Cordoba opened in 1867, it shared space with the Bellas Artes until 1920. After several additional moves, the current home was found in 1960 in the 16th-century Palacio de Paez de Castillejo. Recent expansions of the museum have revealed the underlying ruins of what was the largest theatre built in Roman Hispania, remnants enhancing the existing collection of Roman sculpture housed within.