Biannual Roundup: A stilled keyboard and passport-less boulevardiers

Above: Who knows what happened to the Candy King’s secret recipe for pecan pralines that filled this box a century ago?

Although no comments indicate followers suffer from withdrawal as my blog has remained silent the past two months, surely you have missed posts a little?

During the past 12 months, Alamobsessive posts continue to attract interest, as do ghosts and updates from our wanderings. Particularly pleased that readers seem to enjoy some of the side stories – “Candy King” and “Rabbit Holes” – gleaned from the pages of An Ostrich-Plumed Hat, and Yes, She Shot Him Dead.

The 1911 filming of “The Immortal Alamo” at Hot Wells Resort was among the high points of San Antonio’s efforts to become an industry star.
Continue reading “Biannual Roundup: A stilled keyboard and passport-less boulevardiers”

Texans sure like reading about Texas

Above: 2021 brought new ghost lore for Brackenridge Park.

In the end of the year push to publish An Ostrich-Plumed Hat, and Yes She Shot Him Dead, I almost forgot the all-important round-up of your favorite posts from 2021. Most readers appear to favor stories about their hometowns, whether it is San Antonio (still Alamobsessive as ever) or Austin. Or maybe this represents a two-year confinement blip, where you are looking for comfort close to home and aren’t fully prepared to play boulevardier yet.

Continue reading “Texans sure like reading about Texas”

Biannual Roundup: Kind of like beating a dead horse

taxidermy horse nonvecento maurizio cattelan castello di rivoli

All one needs to do to drive up readership in San Antonio is mention the Alamo. The top three posts attracting attention to this blog during the past 12 months were all Alamobsessive.

Unfortunately, the main concern drawing you in, the fencing in of Alamo Plaza, is a horse already out of the barn. The city agreed to turn over San Antonio’s management to the State of Texas and allow them to corral it.

The next two were complaints about the Texas GLO’s non-reverential management of their new acquisition with its addition of a shiny red faux Alamo. Even those images have failed to spur any action; powers that be must be wearing blinders.

Welcome to the faux red Alamo plopped down in the middle of Alamo Plaza.

Sometimes it feels as though sharing concerns for Alamo Plaza is like beating a dead horse, but you apparently are interested in dead horses as well because fifth on the list of most-read posts this year was a postcard “to” San Antonio from Italy featuring an embalmed horse hung by artist Maurizio Cattelan in the Museo d’Arte Contemporanea in Rivoli.

Without further horsing around, the following list represents the posts you clicked most, with the numbers in parentheses representing rankings from six months ago:

  1. Alamo CEO applying armtwisting pressure to secure gated plaza, 2018 (1)
  2. Has Alamo Plaza fallen in the hands of ‘reverential’ caretakers, 2019
  3. How’s the GLO managing Alamo Plaza? Welcome to the faux Alamo, 2019
  4. King William Home Tour: Historic houses whisper stories of early residents, 2018 (4)
  5. Postcard from Castello di Rivoli, Turin, Italy: History with a horse hanging overhead (2019)
  6. Please put this song on Tony’s pony, and make it ride away, 2010 (6)
  7. The Madarasz murder mystery: Might Helen haunt Brackenridge Park?, 2012 (5)
  8. Street art entices venturing under the overpass, 2018 (7)

    detail of Marilyn Lanfear’s buttonwork, “Uncle Clarence’s Three Wives”
  9. Marilyn Lanfear buttons up a collection of family stories, 2018 (8)
  10. Postcard from Oaxaca, Mexico: ‘I’ve a feeling we’re not in Kansas anymore.’ 2019
  11. Postcard from Sevilla, Spain: Foods steeped in tradition, 2019
  12. Postcard from Genoa, Italy: Hey, don’t knock peanuts, 2018 (12)

street art in Oaxaca, Mexico

Thanks for putting up with my horse feathers, and please feel free to comment anytime.