Dedicated to the promotion and dissemination of modern and contemporary art in the Yucatan, the Fernando Garcia Ponce-Macay Museum opened in 1994 in a prominent landmark (built in 1573) on Merida’s Plaza Mayor adjacent to the Cathedral. A passageway between the two was enclosed with glass in 2001 and offers the opportunity to house large works for the public to interact with on a daily basis.
The main exhibition while we were in Merida early this year placed Timoteo in the spotlight. The plump, elfin-like, endearing Timo allows artist Rodrigo de la Sierra “to embrace the subtle art of the metaphor.”
All one needs to do to drive up readership in San Antonio is mention the Alamo. The top three posts attracting attention to this blog during the past 12 months were all Alamobsessive.
Unfortunately, the main concern drawing you in, the fencing in of Alamo Plaza, is a horse already out of the barn. The city agreed to turn over San Antonio’s management to the State of Texas and allow them to corral it.
The next two were complaints about the Texas GLO’s non-reverential management of their new acquisition with its addition of a shiny red faux Alamo. Even those images have failed to spur any action; powers that be must be wearing blinders.
Sometimes it feels as though sharing concerns for Alamo Plaza is like beating a dead horse, but you apparently are interested in dead horses as well because fifth on the list of most-read posts this year was a postcard “to” San Antonio from Italy featuring an embalmed horse hung by artist Maurizio Cattelan in the Museo d’Arte Contemporanea in Rivoli.
Without further horsing around, the following list represents the posts you clicked most, with the numbers in parentheses representing rankings from six months ago:
Time for the semiannual big-brother spy report on what posts you have been reading most during the past 12 months. As usual, you are all over the map, seemingly encouraging me to continue randomly sending postcards from San Antonio and back home no matter where we wander.