In the end of the year push to publish An Ostrich-Plumed Hat, and Yes She Shot Him Dead, I almost forgot the all-important round-up of your favorite posts from 2021. Most readers appear to favor stories about their hometowns, whether it is San Antonio (still Alamobsessive as ever) or Austin. Or maybe this represents a two-year confinement blip, where you are looking for comfort close to home and aren’t fully prepared to play boulevardier yet.
Above, Chapel of the Miracles, photo by Michael Cappelli, 1984
This is, in the words of the Abbe Dubuis, ‘a place of frequent emotions.’
Julia Nott Waugh, The Silver Cradle, 1955
El Senor de los Milagros, or The Lord of the Miracles, is suspended majestically above an altar in a small privately-owned chapel on the near west side of town. La Capilla de los Milagros stands somewhat in isolation on what was Ruiz Street, now Haven for Hope Way, severed from downtown by IH-10.
The age and origin of this crucifix are part of its mystery. In 1907, Charles Barnes wrote in the San Antonio Express that it was brought to San Antonio by Spanish friars as early as 1716 and placed in San Fernando Cathedral. In a 1928 edition of the Dallas Morning News, Vivian Richardson claimed its origins were local, that “it was revealed to a Mexican that he should make a crucifix for San Fernando Mission.”