Alamo CEO applying armtwisting pressure to secure gated plaza

Alamo CEO Doug McDonald said the City Council must approve the lease with the Land Office before the state will hire a museum designer.

“A major turning point for the Alamo Plaza redesign comes Thursday night,” Scott Huddleston, Express-News, August 29, 2018

So now, Alamo management is trying to blackmail the San Antonio City Council into turning over its public park. The disposition of Alamo Plaza should have little to do with the awarding of the museum design contract. There has been no talk of its construction within that “sacred” space.

What does affect the architectural design project is whether it is build-from-scratch or adaptive-reuse. The Alamo did not release the request for qualifications for an architectural historian to assess the significance of the three buildings on the west side of the plaza until a week ago. The RFQ claims earlier assessments are out of date. No mention is made of their potential candidacy for adaptive-reuse. It is a thinly veiled request for a study slanted toward finding excuses to demolish the historic landmarks.

Rather than letting the Texas General Land Office hold the museum hostage in exchange for San Antonio’s public park, the City of San Antonio should withhold any lease on the land without agreement from the State of Texas to respect our designated landmarks.

And then there is the issue of fencing in Alamo Plaza, funneling everyone through one non-historical access point conveniently located by the museum entrance to encourage the purchase of admission tickets and rental of audio guides for the Alamo and its plaza. To try to soften this closure, the barriers restricting public access are now called a “combination of architectural elements” by District 1 Council Representative Roberto Trevino.

Trevino’s justification for restricting access to one point during “special events,” according to a report by Paula Schuler on San Antonio Heron, is “having three access points open at all times could be costly.” We are unsure why unlocking a gate to the public is so costly, but we do know erecting no fences, aka “architectural elements,” is free.

And, while Trevino earlier signed his name to an op-ed saying barriers would only be used during “special events,” he has redefined that phrase. He is quoted on San Antonio Heron:

What we wrote was that the site needed to be maintained as a civic space aside from special or schedule events. And so that, I think, is addressed by what we’re telling you: The museum hours are special scheduled and special events. Non-museum hours, it’s open.

Wait, the Alamo is open seven days a week. So, in the Mr. Rogers’ spirit, Trevino is proclaiming everyday is “special.” How special.

The time for public input is limited. The Alamo Citizens Advisory Committee (advice often ignored) is expected to vote on the plan tonight, with no opinions from the peanut gallery permitted.

According to Huddleston, the procedure that will follow is:

If approved then, the plan will next be considered by a six-member Alamo Management Committee and a two-member Alamo Executive Committee composed of Mayor Ron Nirenberg and Texas Land Commissioner George P. Bush.

It will be reviewed at open meetings of the city’s Historic and Design Review Commission, Planning Commission and the City Council. Review by the council could happen in mid-October.

Some elements of the plan, including relocation of the 1930s Alamo Cenotaph and demolition or significant alterations to three historic state-owned commercial buildings on the west side of Alamo Plaza, also would require approval of an antiquities permit by a 10-member Antiquities Board of the Texas Historical Commission and the full 15-member commission.

The monument and buildings are in the national Alamo Plaza Historic District created in 1977. Meetings of the board and full commission are open and include citizen input.

For the plan to be carried out, the state Land Office will become the manager of Alamo Plaza.

Alamo CEO Doug McDonald said the City Council must approve the lease with the Land Office before the state will hire a museum designer. The nonprofit Alamo Endowment can then begin active fund-raising for the plan. But McDonald said the project is on a challenging timeline for completion by 2024.

We trust the City Council will refuse to be bullied into ceding public parkland without adequate protections and reversionary clauses.

Just in case, though, please take every opportunity to protest the closing of Alamo Plaza and be on standby to place your bodies between the wrecking ball and the Crockett Block.

Biannual list of top posts always diverse

You need hold your breath no longer. That much anticipated list revealing most-read blog posts over the past year is here.

While the brutally murdered Helen Madarasz was a real person, at one time I believed I invented her ghost refusing to leave the site of her former home in Brackenridge Park. So many keep reading the post six years later, even I am starting to think she might really be haunting the park.

My readers seem to be as Alamobsessive as I am, fretting over proposed plans for Alamo Plaza. Every time I think the plaza will remain fence-free and historic gems on the west side of the plaza will be spared, renewed threats arise. That barely watercolored-in white rail in the background of the image above is a fence. Just to be safe, please consider signing the San Antonio Conservation’s Society petition at change. org.

venison at Fricska Gastropub in Budapest

Thanks for taking trips with me; you seem particularly drawn to food. We fell hard for Fricska Gastropub in Budapest, and our taste buds feel vindicated with its recent receipt of Bib Gourmand recognition from Michelin. (And, yes, sister Susan, I promise to get to food posts from Italy soon. She has been whining about being sent into so many churches first. But it takes a long time for postcards to arrive from Italy, and the Alamo keeps interrupting.)

Margarita Cabrera

Like many of you, cannot wait to see Margarita Cabrera’s ‘Tree of Life’ take root on the Mission Reach of the San Antonio River near Mission Espada.

So here’s your top 12, with the numbers in parentheses representing the rankings six months ago:

  1. The Madarasz Murder Mystery: Might Helen Haunt Brackenridge Park?, 2012 (2)
  2. Forging consensus for the Alamo Comprehensive Plan: Don’t fence us out, 2018
  3. Postcard from Budapest, Hungary: Currently suffering from case of miss-you-Fricska blues, 2017 (3)
  4. ‘Tree of Life’ bears bountiful crop of tales from the past, 2018
  5. Please put this song on Tony’s pony and make it ride away, 2010 (4)
  6. ‘Just the Facts:’ A fence by any other name still smells the same, 2018
  7. Postcard from Guanajuato, Mexico: Wishing these dining spots were not 600 miles away, 2016 (8)
  8. Morning walk turns into thematic parade through San Antonio’s heritage, 2018

    San Antonio Livestock Show & Rodeo’s Western Heritage Parade

  9. How would you feel about the Alamo with a crewcut?, 2011 (10)
  10. The Curse of Madarasz Park: Another Ghost Wandering in Brackenridge Park, 2014
  11. Postcard from Mexico City: Pausing for a playful food break at Mercado Roma, 2017

    fried charl taquito amuse bouche at Seneri in Mercado Roma in Mexico City

  12. Postcard from Oaxaca, Mexico: Where fiestas erupt all the time, 2017

Thanks for stopping by, and feel free to chat back. We’ll wind up this round-up with a fiesta in Oaxaca.

Viewing San Antonio through a Spaniard’s eyes

Murals by Spanish artist Daniel Munoz, or SAN, transform window frames bricked in long ago on the back of the former home of the Beethoven Maennerchor in Hemisfair into points of interest. SAN peered into the city’s past and how it contributes to the city of today in recognition of the San Antonio’s Tricentennial. The mural on the back of what is now Magik Theatre was commissioned by the city’s Public Art Department and Luminaria working in conjunction with Ink and Movement in Madrid.

These cellphone snaps represent a small sampling of SAN’s images. Love the way he captured the man peering into the dime store to represent the impending desegregation of the lunch counter in San Antonio; four Blacks broke a major color barrier when they were served there on March 16, 1960. Wonder if the muralist knew the 97-year-old former Woolworth’s, regarded as a landmark in the history of the Civil Rights Movement, is endangered by the current version of the Alamo Comprehensive Interpretive Plan. The building’s significance for the community is obvious even to someone from another country.