The western front of Alamo Plaza. Is no news good news, or just a well-guarded secret?
It has been almost two years since the Alamo issued its request for qualifications to hire a firm to conduct an historical assessment of the significance of the Crockett Block (above, a personal favorite), the Palace Theatre and the Woolworth Building on Alamo Plaza. The RFQ included an evaluation of their appropriateness for reuse as a visitor center and museum for the Alamo.
The historical assessment is easy. These structures are well-documented as part of an historic district included in the National Register of Historic Places.
As for their reuse? That might depend on how the issue is approached. The illustration used on the Alamo website only highlights obstacles.
Haunting the Graveyard: Unearthing the Story of the Coker Settlement
Know it appears suspicious that a post about the author’s book that finally made it into print popped up as the most-read by you during the past year, but you actually were that kind.
Of course, the controversial redevelopment plans for Alamo Plaza still remain of grave concern for those who love San Antonio. Will the plaza be fenced in? Will the Texas General Land Office repurpose the buildings on the west side of the plaza as a new museum or bulldoze those important historic landmarks? So many design issues remain unresolved as we enter 2020.
The author always hope postcards sent back from other places help tease out the boulevardier in you, seducing you into traveling more and serving as helpful guides when you do.
The following list represents the posts you clicked most in 2019, with the number in parentheses representing rankings from six months ago.
All one needs to do to drive up readership in San Antonio is mention the Alamo. The top three posts attracting attention to this blog during the past 12 months were all Alamobsessive.
Unfortunately, the main concern drawing you in, the fencing in of Alamo Plaza, is a horse already out of the barn. The city agreed to turn over San Antonio’s management to the State of Texas and allow them to corral it.
The next two were complaints about the Texas GLO’s non-reverential management of their new acquisition with its addition of a shiny red faux Alamo. Even those images have failed to spur any action; powers that be must be wearing blinders.
Sometimes it feels as though sharing concerns for Alamo Plaza is like beating a dead horse, but you apparently are interested in dead horses as well because fifth on the list of most-read posts this year was a postcard “to” San Antonio from Italy featuring an embalmed horse hung by artist Maurizio Cattelan in the Museo d’Arte Contemporanea in Rivoli.
Without further horsing around, the following list represents the posts you clicked most, with the numbers in parentheses representing rankings from six months ago: