Postcard from San Antonio, Texas: Time to toast the Alamo Trust

Above: Rendering of plans for the Alamo Visitor Center and Museum from the Alamo Trust

Recent international trends in museum design and development have emphasized the reuse and transformation of historic industrial and commercial buildings for interpretive programming, providing stronger links between complex layers of history and dynamic visitor experiences. Through the historic preservation treatments of exterior restoration and interior rehabilitation, these three buildings on Alamo Plaza can provide the opportunity for a unique twenty-first century museum experience that is innovatively housed within some of San Antonio’s most historically significant commercial architecture of the nineteenth and early twentieth centuries.

“Historical Assessment of a Trio of Historic Buildings on the West Side of Alamo Plaza,” John G. Waite Associates’ study commissioned by the Alamo Trust, 2020

The Crockett Block (1882); the Palace Theater (1923); and the Woolworth Building (1921). All three recognized as significant historic landmarks in San Antonio and nationally. The 2020 evaluation by John G. Waite Associates let preservationists breathe a bit easier.

A cause for celebration: The block is no longer in danger of complete demolition to make way for a new museum directly across the plaza from the Alamo Chapel. The rendering at the top of this post is the current one espoused by the Alamo Trust. Most of this complex on the west side of Alamo Plaza will be transformed into a handsome museum and visitors center designed by a team of architects and designers from internationally renowned Gensler and San Antonio-based GRG Architecture.

In addition to private donations, the overall Alamo Plan is receiving an amazingly generous boost in the Texas State Budget – a whopping $400-million. In other words, the museum, preservation of the Alamo itself and redo of Alamo Plaza are all moving forward.

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Biannual Roundup: A stilled keyboard and passport-less boulevardiers

Above: Who knows what happened to the Candy King’s secret recipe for pecan pralines that filled this box a century ago?

Although no comments indicate followers suffer from withdrawal as my blog has remained silent the past two months, surely you have missed posts a little?

During the past 12 months, Alamobsessive posts continue to attract interest, as do ghosts and updates from our wanderings. Particularly pleased that readers seem to enjoy some of the side stories – “Candy King” and “Rabbit Holes” – gleaned from the pages of An Ostrich-Plumed Hat, and Yes, She Shot Him Dead.

The 1911 filming of “The Immortal Alamo” at Hot Wells Resort was among the high points of San Antonio’s efforts to become an industry star.
Continue reading “Biannual Roundup: A stilled keyboard and passport-less boulevardiers”

If ghosts RSVP-ed, would they skip the party?

As Fiesta San Antonio returns to life this year, things have changed around the Alamo. Long the heart of the party, Alamo Plaza falls under new more exacting standards of proper etiquette.

According to Scott Huddleston of the San Antonio Express-News:

Fiesta’s two big street parades are set to resume in April, but people will need to quiet down when passing through Alamo Plaza, as it is now part of the historic site’s ‘reverent zone.’ Air horns, amplified music from floats and ‘shouting and other celebratory behavior’ will be prohibited for parade participants and discouraged for the public….

Continue reading “If ghosts RSVP-ed, would they skip the party?”