Postcard from San Antonio, Texas: Time to toast the Alamo Trust

Above: Rendering of plans for the Alamo Visitor Center and Museum from the Alamo Trust

Recent international trends in museum design and development have emphasized the reuse and transformation of historic industrial and commercial buildings for interpretive programming, providing stronger links between complex layers of history and dynamic visitor experiences. Through the historic preservation treatments of exterior restoration and interior rehabilitation, these three buildings on Alamo Plaza can provide the opportunity for a unique twenty-first century museum experience that is innovatively housed within some of San Antonio’s most historically significant commercial architecture of the nineteenth and early twentieth centuries.

“Historical Assessment of a Trio of Historic Buildings on the West Side of Alamo Plaza,” John G. Waite Associates’ study commissioned by the Alamo Trust, 2020

The Crockett Block (1882); the Palace Theater (1923); and the Woolworth Building (1921). All three recognized as significant historic landmarks in San Antonio and nationally. The 2020 evaluation by John G. Waite Associates let preservationists breathe a bit easier.

A cause for celebration: The block is no longer in danger of complete demolition to make way for a new museum directly across the plaza from the Alamo Chapel. The rendering at the top of this post is the current one espoused by the Alamo Trust. Most of this complex on the west side of Alamo Plaza will be transformed into a handsome museum and visitors center designed by a team of architects and designers from internationally renowned Gensler and San Antonio-based GRG Architecture.

In addition to private donations, the overall Alamo Plan is receiving an amazingly generous boost in the Texas State Budget – a whopping $400-million. In other words, the museum, preservation of the Alamo itself and redo of Alamo Plaza are all moving forward.

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Biannual Roundup: What posts you’ve traveled most

Above: A mock wedding is always part of the pre-Lenten Carnaval in San Martin Tilcajete, Mexico

Above: Lou Ann Barton, Marcia Ball, Sue Foley, Ruthie Foster and Eve Monsees joined forces at a March benefit for the Austin History Center

Is everyone on a diet? I think this is the first time that there is not one food post represented in the top 12 posts that you have frequented during the past year.

The following list represents the biannual results of the most-read postcards, with the numbers in parentheses indicating rankings from six months ago when applicable.

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Biannual roundup of your favorite posts

Above photo from Postcard from Toulouse, France: Falling in love one quirky detail at a time

The year 2022 brought a reshuffling of what blog entries caught your attention. You dove back as far as 2010, an indication of how long I have been blogging.

You politely made one of the stories drawn from research for An Ostrich-Plumed Hat, And Yes, She Shot Him Dead your number one favorite, clearly attracted by Texans’ love of pralines. You continue to support efforts to populate Brackenridge Park with ghosts, and thanks for welcoming a post about my new hometown focusing on the history of Zilker Park. And the quirkiness that is Toulouse sparked your attention. In other words, your interests are as unpredictably wide-ranging as my posts.

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