Postcard from London, England: Who lies amongst the trees of Kensal Green?

A vintage postage stamp featuring an illustration related to Charles Dickens, depicting a scene with children and a caregiver, and text indicating his lifespan (1812/1870) and name.

Above: A field in Kensal Green Cemetery, 2023.

The memories which peaceful country scenes call up, are not of this world, nor of its thoughts and hopes. Their gentle influence may teach us how to weave fresh garlands for the graves of those we loved: may purify our thoughts, and bear down before it old enmity and hatred….”

Oliver Twist, Charles Dickens (1812-1870), 1838

Wandering amongst the quarter-million souls resting amongst the bucolic 72 acres of The General Cemetery of All Souls, Kensal Green, you absorb a sense of peace from the surroundings. Inspired by Pere Lachaise in Paris, the design incorporates multiple broad pathways and lush landscaping. Opened in 1833, this privately run graveyard was once the fashionable spot to be buried – some 650 titled nobles rest there.

Every direction we looked, there were headstones for those of note and those of more humble backgrounds. But all with stories. I longed to read them all, to grasp snippets of the lives they led. Given their age, many of their resting places are unapproachable, dangerously sunken or knocked out of kilter by the roots of the trees that shade them. Taphophile, yes, but I have no desire to plunge down into a grave, forced to embrace its skeletal contents.

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Postcard from Guadalajara, Mexico: The anguish of man battling oppression

A postage stamp commemorating the 175th anniversary of the death of Miguel Hidalgo, featuring an artistic depiction by J.C. Orozco. The design showcases Hidalgo in a dramatic pose, with vivid colors and expressive details.

Above: Rotating views of Jose Clemente Orozco’s “Man of Fire” fresco in the dome of Instituto Cultural Cabanas, 1937-1939

An artist is a freedom fighter, fighting for the liberation of the human spirit.”

Jose Clemente Orozco (1883-1949)

At the age of 20, Orozco was in the process of prepping fireworks, when: Boom! He delayed treatment, and gangrene gained hold of his wound. So, his left hand had to be removed, a tragedy that spared him from being drafted into the trenches of the Mexican Revolution.

But the artist did not stand idly as history unfolded; he honed art as his weapon. His art evolved into something stark, dark and boldly modern. His offensive was against all and any institutions that kept the common man in a state of poverty – art meant to shame the rich and privileged and inspire the poor.

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Road trip to art-walk in San Antonio

Above: Looking northward to downtown from San Pedro Culture Park pathways

If you follow the ruta of San Pedro Creek, you are on a pilgrimage rooted in the past, destined for the future. As in some ancient legend, a city emerged out of these waters. A city bubbled forth out of this spring-fed stream, running from long before there was anyone here to witness it – or drink from it…. If this creek could speak, in whispers of song, or poetry, it might tell the story of the city that it birthed, brought to the light of history, its most extraordinary, and perhaps unexpected, progeny. Whispers of memories, echoes of song, rhythms of poesy, drumbeats and bugles, punctuated by cannonades – and long intervals of peace.”

A Creek Tells Its Story: The Mythic Narrative of San Pedro Creek,” John Phillip Santos

Our rare quick trips to San Antonio tend to involve friends and family, so exploring the two miles of improvements along San Pedro Creek is taking a while. In December, we walked a small segment of the former degraded ditch that has been transformed into San Pedro Cultural Park.

Rather than repeat the background, here are links to my earlier blogs: first post, 2018; second post, 2024. Below, find images taken along a newer stretch.

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