Always drawn to stone effigies of the elite who were wealthy enough to merit entombment in churches. These portraits carry so much more meaning than mere names and dates carved into headstones. They serve as permanent records of earlier fashions, both sartorial and hair. Falcons for the master; perhaps stitchery for the mistress.
Often the interred rest their heads as peacefully as possible on their extra-firm pillows, but what of the poor pooches, condemned to bear the weight of their masters’ feet for eternity? Guesses or knowledgeable responses about the reason for the dog footrests welcomed.
In 1984, gallerist Alexandre Iolas commissioned Warhol to create a group of works based on Leonardo Da Vinci’s Last Supper (1495-97) for an exhibition space in the Palazzo Stelline in Milan, located across the street from Santa Maria delle Grazie, home of Leonardo’s masterpiece. Warhol exceeded the demands of the commission and produced nearly 100 variations on the theme. Indeed, the extent of the series indicates an almost obsessive investment in the subject matter, which takes on an added significance in light of the revelation of the secret religious life revealed after Warhol’s death, which occurred only a month after the opening of the Milan exhibition in January 1987.
Encountered an Andy Warhol exhibition our first weekend wandering around Naples. The setting seemed so unlikely. The Basilica di Santa Maria Maggiore alla Pietrasanta, constructed atop the remains of a Temple of Diana by a Bishop of Naples in the year 525 and purportedly the first sanctuary dedicated to the Virgin Mary.
Of course, that church was remodeled numerous times, and I really am unsure how it became an art venue. But Pop art is occupying the sanctuary through February 23: “The True Essence of Warhol.” The exhibition is presented by the Arthemisia Association.
The pairing of pop culture and religious altars is unusual. A neon “Warhol e il Brand” crosses in front of a painting of the Virgin Mary. “Warhol e l’Italia” glowing in front of a crucifixion. Mick and Keith staring down from niches?
Church is not what my memory associates with Andy Warhol (1928-1987). My memories place him more in the throbbing celebrity melee of the Studio 54 disco scene. Or hanging with the Rolling Stones.
His art was sensational via his calculated and stated commercial associations.
Mr. Warhol’s keenest talents were for attracting publicity, for uttering the unforgettable quote and for finding the single visual image that would most shock and endure. That his art could attract and maintain the public interest made him among the most influential and widely emulated artists of his time.
“Andy Warhol, Pop Artist, Dies,” Douglas C. McGill,The New York Times, February 23, 1987
We played around in this church of Warhol….
But it was not until several months later I learned that Andy Warhol’s Catholic upbringing was lurking close to the surface of his wild partying veneer. He was frequently spotted on Sundays in a pew of St. Vincent Ferrer on the Upper East Side of New York.
People are complicated.
I always thought I’d like my own tombstone to be blank. No epitaph, and name. Well, actually, I’d like it to say “figment.”
Haunting the Graveyard: Unearthing the Story of the Coker Settlement
Know it appears suspicious that a post about the author’s book that finally made it into print popped up as the most-read by you during the past year, but you actually were that kind.
Of course, the controversial redevelopment plans for Alamo Plaza still remain of grave concern for those who love San Antonio. Will the plaza be fenced in? Will the Texas General Land Office repurpose the buildings on the west side of the plaza as a new museum or bulldoze those important historic landmarks? So many design issues remain unresolved as we enter 2020.
The author always hope postcards sent back from other places help tease out the boulevardier in you, seducing you into traveling more and serving as helpful guides when you do.
The following list represents the posts you clicked most in 2019, with the number in parentheses representing rankings from six months ago.