If zip codes were used in ancient Rome, Palatine Hill is the one you wanted during those B.C. years. The twins purportedly were born there, and Romulus settled right there in the neighborhood after disposing of his brother Remus.
The legendary she-wolf-nursed founders of Rome gave the city its birthdate a while back. Rome celebrated turning 2,771 on April 21, 2018 – kind of a humbling experience after experiencing events heralding San Antonio’s Tricentennial this year.
Anyway, Cicero (106-43 B.C.) resided there, as did the first emperor of the Roman Empire, Augustus (27 B.C.-14 A.D.). While Augustus’ abode was relatively humble, subsequent emperors erected more elaborate quarters.
The great fire of year 64 left fiddling Nero (37-68 A.D.) some major cleared real estate on the hill available for construction of his new palace, Domus Aurea, or the Golden House, so named because many of its walls were covered with gold leaf. Recent archaeological digs have revealed remnants of the emperor’s over-the-top revolving dining room.
That’s obviously an oversimplified, superficial glimpse of the history of Palatine Hill. But we were really in search of a way to sense some of Rome’s ancient past above the hoards swarming into the Coliseum below. The crowds thin out, and much of the spacious hilltop turns into almost a pastoral setting for contemplating the vestiges of ancient civilization.
Now let us, by a flight of the imagination, suppose that Rome is not a human habitation but a psychical entity with a similarly long and copious past – an entity, that is to say, in which nothing that has once come into existence will have passed away and all the earlier phases of development continue to exist alongside the later one. This would mean that in Rome the palaces of the Caesars and the Septizonium of Septimus Severus would still be rising to their old height on the Palatine….
Civilization and Its Discontents, Sigmund Freud, 1930
Analogies often distract me, and the above one does as well. Sorry, Dr. Freud, but you left me on the hilltop without traveling down your desired psychical paths.
Derailed, I flew off to pondering that Palatine Hill is indeed a place where phases of development from 2,000 years ago still exist in the midst of a city creeping toward 3,000,000 people. A peaceful place where your imagination easily can time-travel deep into multiple layers of the city’s past and then fast-forward to view today’s Rome spreading out all around you.
The topics of posts you have been reading most over the last six months are wide-ranging. Concerns about the Alamo and Alamo Plaza tend to be remain your high priority, and the primary battle between Jerry Patterson and George P. Bush for Land Commissioner will keep these issues on the front page. I love it that you continue to help me promote Helen Madarasz as a ghost actively haunting Brackenridge Park.
The interest in our favorite restaurant in Budapest might arise not as much from regular followers as from Fricska’s loyal fans on facebook. San Antonio’s current Tricentennial Celebration seemed to send more people in search of “The San Antonio Song” written in 1907 by Williams and Alstyne. Thanks for your interest in my quest for a mini-Kate, and it makes me happy some of you heading to Guanajuato were aided by our restaurant suggestions.
So here’s your top 12, with the numbers in parentheses representing the rankings from six months ago:
Chorus of “The San Antonio Song” written by the Tin Pan Alley pioneer team of Harry Williams and Egbert Van Alstyne in 1907: “San An-to ni An-to-ni-o. She hopped up on a pony and ran away with Tony.”
And the best part of number 12 on your list is that our bidding ciao to Italy “for now” appears accurate. Will be taking you there through pictures later in 2018. For now, though, delivery of postcards from the fall trip to Mexico City was delayed by the holidays. They will be dribbled out over the next month.
Thanks for dropping by periodically. Always welcome your feedback.
It’s hard to send a letter to you, because I don’t yet know who will be occupying those offices at City Hall. But, whoever you are, your first week in office, you will be pressured to approve a plan to wall off a major public plaza, the historical heart of so many of San Antonio’s cherished celebrations.
Please do not vote unconditionally to support the Reimagining the Alamo Master Plan in a rush to meet the budgetary cycle of the State Legislature.
There is much merit to parts of the proposal. The Alamo building itself is crumbling, and the plan targets its restoration and preservation. That is urgent.
The Phil Collins Collection is waiting for a home in San Antonio, and the State has acquired several historic structures on the westside of Alamo Plaza to display the valuable artifacts. (Adaptive reuse is wonderful, but please urge the State to reconsider gutting the entire interior of the landmark Crockett Block, designed by Alfred Giles.)
So the east and west parts of the plan on the state’s existing turf seem on somewhat sound ground. But then we get to the plaza.
As we approach San Antonio’s Tricentennial, we should be particularly attuned to the city’s early history. But, at least in the Executive Summary,* the Master Plan ignores the history of Mission San Antonio de Valero – a site not dubbed the Alamo until years later.
In the aftermath of the Battle, General Santa Anna ordered his troops to destroy as much of the site as possible. This was the beginning of the decline of the historic Alamo compound. Restoring the reverence and dignity of the Alamo is the obligation of our generation and the mission of our efforts.
The decline of the compound that originally was Mission San Antonio de Valero began earlier, before the mission was secularized. Where is that layer of history of the mission days? Not on page 1. Mission San Antonio de Valero is not even recognized by name in the summary until page 24. In the appendices.
Reimagining apparently calls for walling in the plaza and locking it up every night. The planners evidently believe members of the public incapable of envisioning the original walls of the compound. To do so, they must be restricted from entering the plaza aside from as a herd entering through a southern portal.
If returning the Alamo compound to its appearance at the time of the battle truly was a principal adhered to by the Master Plan, the “bold” plan would call for the removal of the iconic parapet added later by the United States Army.
Vehicular movement north and south through downtown currently is impaired. Removing another street from the existing clogged pattern is impractical. Yet, even so, it is difficult to argue that closure would not enhance the experience for pedestrians on the plaza.
But ceding the rights of pedestrians to cross through the plaza makes absolutely no sense. Public parks should be porous, easily accessible from all sides. Yet access to this civic space will be reserved to one entryway on its southern side.
Behind glass, this current pedestrian crossroad will become a dead-end. An Alamo cul-de-sac.
The city of San Antonio has struggled for years to revive Houston Street, and it finally provides a healthier retail environment. Houston Street merchants will again disappear if they lose the pedestrian traffic they need. Pedestrians will all be funneled in and out by way of Rivercenter.
Trees will be removed from the center of the plaza between the Alamo and the Crockett Block to create an open space, a space too hot under the Texas sun for anyone to linger.
A sizzling comal for tourists. A playground for reenactors. A place locals will avoid.
Paraphrasing W.S. Merwin, there is no recipe for “unchopping a tree.” Walk the Mission Reach of the San Antonio River Improvements Project and envision how many years, or generations, of growth it will take for the new saplings to recreate the groves of trees Spanish missionaries originally found along the river’s banks.
In exchange for placing much of the city’s space in a fishbowl with restricted access, the plan offers San Antonio “a new civic space – Plaza de Valero,” a tiny sliver of the plaza in front of the Menger Hotel. This is billed as: “an opportunity for visitors to have a quiet moment, in the shade of mature trees, enjoying food and refreshments, as they experience the reimagined Alamo.” This “new” space already exists.
The very definition of civic is “relating of or to a city or town or the people who live there.” We have a great civic space, the entire plaza, now. A place for exuberant celebrations and the exercise of first-amendment rights, rights championed by those who died at the Alamo. A spot for gathering in the shade of trees.
There is no reason City Council cannot approve the Alamo restoration on the east and the Museum concept on the west side of the plaza as envisioned in the Master Plan on May 11.
Obviously, improvements can be made to enhance historical interpretation in the plaza, but eliminating Alamo Plaza as a pedestrian passageway or civic gathering place for your citizens need not be a requisite to forward a portion of the plan. Judgment on the disposition of the roadway and plaza should be withheld pending refinement and public release of the full plan.
The many volunteers and professionals tackling this project should be commended for their efforts. But that does not mean this initial plan merits a rubber stamp. The streets and plaza belong to the City of San Antonio.
Please request a reexamination and rethinking of this portion of the plan. Don’t consent to turning a beautiful urban park into a walled-off wasteland of a plaza. A place completely isolated from the fabric of San Antonio.
Thank you for your consideration of this request from a concerned citizen.
P.S. If one haunts the place of one’s death, would it not seem a Sisyphean hell if the only thing you got to witness was men reenacting your painful death over and over? Would you want the site of your bloody end preserved in the desolate state it was in in the aftermath of your death?
Or would you want to witness people actively enjoying the freedom for which you fought on a daily basis?
One resembles a horror film, the other a fulfillment of your dreams.
*As of this time, the only portion of the plan available to the public online is the sketchy Executive Summary. The public comments you receive prior to voting are based solely upon that and what can be pried out of presenters during hearings. The publicly funded Master Plan appears a closely guarded secret.
Postcards from Barton Springs 