Postcard from Bologna, Italy: My taphophobia trumps my taphophilia*

I afterwards went to the beautiful cemetery of Bologna, beyond the walls; and found, beside the superb burial ground, an original of a custode, who reminded me of the grave-digger in Hamlet. He had a collection of capuchins’ skulls, labelled on the forehead; and taking down one of them, said, This was Brother Desidero Berro, who died at forty years, one of my best friends. I begged his head of his brethren after his decease, and they gave it to me. I put it in lime and then boiled it. Here it is, teeth and all, in excellent preservation.

Baron George Gordon Byron, Letter and Journals of Lord Byron: With Notices of His Life, published posthumously in 1831

According to Lord Byron’s guide, more than 50,000 people already inhabited the Certosa di Bologna two decades after its establishment, so its population almost two centuries later must be significant. These new residents rest atop a former Etruscan necropolis. The original grounds and initial buildings were part of San Girolamo di Casara, a former Carthusian monastery established in 1334 but closed by the order of Napoleon in 1796.

When the city of Bologna staked its claim to the land for its cemetery in 1801, it declared it to be a “monumental” one with palaces for the dead designed as suitable lodging for Bologna’s nobility. The wealthy responded by providing employment to artisans and noted sculptors to create lasting tributes to their dynastic glories.

The site quickly was promoted as a must-see destination for visitors, with tours offered soon after its founding. Lord Byron described an interesting monument pointed out during his tour:

In showing some of the older monuments, there was that of a Roman girl of twenty, with a bust by Bernini. She was a Princess Barlorini, dead two centuries ago: he said, that on opening her grave, they had found her hair complete and as yellow as gold.

With only Lord Byron as our guide, we wandered seeking ancient graves, ones predating 1800. His instructions were not specific, however, and the population of the cemetery has increased.

We never found any of the earlier graves, but our urge to search was dampened by the hovering presence of one bird cawing ominously as he seemed to follow us around.

I scare easily. I’m always the one in horror films to say don’t open the door to the basement; don’t go upstairs to the attic; and no, no, no, Wendy, whatever you do, do not peek at what Jack is typing…. So, of course, I heeded the bird’s warning.

We might have been able to find them if I had been willing to take any of the stairways leading into a dark and damp maze of catacombs underground. I had no bread with me to leave a trail of crumbs, and, in my mind, crumbs only would have been consumed by some unfriendly creatures scurrying around below. Leaving us lost among the dead. Forever.

Instead, I assured the Mister my taphophilia temporarily was sated by the massive number of impressive monuments we passed. So we left our feathered friend behind and returned to the more vibrant heart of Bologna.

*My fear of being buried alive is far greater than my love of wandering through graveyards.

Postcard from Parma, Italy: Reclaiming the stage from ancient ghosts

There is the Farnese Palace, too, and in it one of the dreariest spectacles of decay that ever was seen – a grand, old, gloomy theatre, mouldering away…. Such desolation as has fallen on this theatre, enhanced in the spectator’s fancy by its gay intention and design, now but worms can be familiar with. A hundred and ten years have passed, since any play was acted there…. If ever Ghosts act plays, they act them on this ghostly stage.

Pictures from Italy by Charles Dickens, 1846

Cosimo II de Medici (1590-1621) was going to be passing through town, and Ranuccio I Farnese (1569-1622), the duke of Parma and Piacenza, was eager to make a major impression. Ranuccio’s eagerness was enhanced by his desire to arrange a marriage between his son and one of Cosimo II’s daughters to fortify relations between the two families.

The huge Farnese Theatre was commissioned in 1618 in honor of the visit that actually failed to occur. But, never mind, the marriage did happen within a year or two anyway.

The massive theatre was made of wood with faux-marble plaster ornamentation. The theatre was used less than 10 times, only for lavish, expensive weddings and productions, including one during which the ground floor was flooded with water to make depiction of a naval battle more convincing. Following a grand finale in 1732, the stage indeed was abandoned for more than a century before the visit of Charles Dickens.

Allied bombing destroyed much of the Farnese Theatre in the spring of 1944. Even though it had not been in use for years, the decision was made in the 1950s to rebuild the theatre on the same grand scale as before.

Classical music resounds from concerts presented on the stage several times a month, much higher usage than the theatre ever experienced during its first three centuries.

Biannual Roundup Time

san-antonio-song

As 2016 begins, you, once again, have given me an excuse to write about whatever strikes me. Your favorite posts on this blog during the past six months are as random as the thought process of the writer pecking at the keyboard.

I have to admit I love it that you continue to let the ghost of Helen Madarasz haunt Brackenridge Park, care enough about the future of Alamo Plaza to go back to old rants and are still looking for the cowgirl’s “San Antonio Song.” You care about art and artists of San Antonio, even when the art is tiny, and cherish San Antonio’s Fiesta traditions, even when raucous. And you tolerate family stories and postcards from our travels. All of these are therapeutic breaks for the blogger struggling to complete the story of the Coker Settlement.

The numbers in parentheses represent the rankings from six months ago:

  1. The Madarasz Murder Mystery: Might Helen Haunt Brackenridge Park?, 2012 (1)
  2. Artist Foundation unleashes another round of creative fervor, 2015 (2)
  3. How would you feel about the Alamo with a crewcut?, 2011 (8)
  4. Weather Forecast: 11 Days of Confetti Ahead, 2015 (10)
  5. Please put this song on Tony’s pony and make it ride away, 2010 (7)
  6. Postcard from Oaxaca, Mexico: Favorites on the food front, 2015 (12)
  7. Take pleasure in little unauthorized treasures along the River Walk before they vanish, 2015
  8. Playspace of Yanaguana Garden bursts into bloom October 2, 2015
  9. Photographs from the 1800s place faces on the names in Zephaniah Conner’s Bible, 2014 (11)
  10. Cornyation strips down to bare kernels of comedy in current events, 2015
  11. Postcard from Oaxaca, Mexico: More street art and signs of protests, 2015
  12. Postcard from Oaxaca, Mexico: Tattooed Museum Walls, 2015

Thanks for dropping by every once in a while. Love hearing your feedback.