Postcard from Malaga, Spain: Unauthorized exhibit of Banksy’s protest art

Rats: They exist without permission. They live in quiet desperation amongst the filth. And yet they are capable of bringing entire civilizations to their knees. If you are dirty, insignificant and unloved, then rats are the ultimate role model. They have no respect for society, and they have sex 50 times a day.

Banksy

The mysterious hooded lord of all street art. The man billed as bucking against anyone charging a buck, well in this case a euro, to view his art.

We saw an exhibition in Bologna a few years ago with Banksy in its title that had very little to do with the artist – a 13-Euro price tag.

But this “unauthorized” exhibition at La Termica in Malaga – “Banksy: The Art of Protest” – seemed so much less commercial. A pure tribute.

Showing Banksy is somewhat risky. In Brussels in 2018, an entire exhibition was seized by the court. Pressed for comment, Banksy released a statement about the exhibition that Urenna Ukiwe quoted in an article in The Guardian:

Hmm. Not sure I’m the best person to complain about people putting up pictures without getting permission.

And the repurposed setting has such an un-aristocratic history. Before its recasting as a contemporary art center, La Termica’s institutional rooms functioned as an orphanage and then a sanitorium.

In 2015, Banksy launched a month-long pop-up on the Bristol seaside entitled “Dismaland,” “a family theme park unsuitable for small children.” It might be gone, but don’t dismay.

The flaw in this late-delivered “postcard” is that the Malaga exhibit closed this week. The good news is a cd coincidentally was released at the same time in Austin, Texas.

Bottlecap Mountain‘s “Dismayland” lives on as a perfect soundtrack….

Buy it.

Postcard from Sevilla, Spain: This makes no sense

Alice: Would you tell me, please, which way I ought to go from here?
The Cheshire Cat: That depends a good deal on where you want to get to.
Alice: I don’t much care where.
The Cheshire Cat: Then it doesn’t much matter which way you go.
Alice: …So long as I get somewhere.
The Cheshire Cat: Oh, you’re sure to do that, if only you walk long enough.

Alice in Wonderland, Lewis Carroll

The most recent post having left you well fed, it is time to work those calories off with a long rambling walk through the streets of Seville.

These remaining orphan photos that failed to find a home in earlier posts make no sense as a group.

Except… this randomness is part of the joy of slow travel. Taking time to stroll and explore areas you might otherwise overlook always leaves one “curiouser and curiouser.”

Seemingly unrelated snapshots can convey the diversified textures that are woven together to create a sense of place.

That makes sense, right?

 

Biannual Roundup: Kind of like beating a dead horse

taxidermy horse nonvecento maurizio cattelan castello di rivoli

All one needs to do to drive up readership in San Antonio is mention the Alamo. The top three posts attracting attention to this blog during the past 12 months were all Alamobsessive.

Unfortunately, the main concern drawing you in, the fencing in of Alamo Plaza, is a horse already out of the barn. The city agreed to turn over San Antonio’s management to the State of Texas and allow them to corral it.

The next two were complaints about the Texas GLO’s non-reverential management of their new acquisition with its addition of a shiny red faux Alamo. Even those images have failed to spur any action; powers that be must be wearing blinders.

Welcome to the faux red Alamo plopped down in the middle of Alamo Plaza.

Sometimes it feels as though sharing concerns for Alamo Plaza is like beating a dead horse, but you apparently are interested in dead horses as well because fifth on the list of most-read posts this year was a postcard “to” San Antonio from Italy featuring an embalmed horse hung by artist Maurizio Cattelan in the Museo d’Arte Contemporanea in Rivoli.

Without further horsing around, the following list represents the posts you clicked most, with the numbers in parentheses representing rankings from six months ago:

  1. Alamo CEO applying armtwisting pressure to secure gated plaza, 2018 (1)
  2. Has Alamo Plaza fallen in the hands of ‘reverential’ caretakers, 2019
  3. How’s the GLO managing Alamo Plaza? Welcome to the faux Alamo, 2019
  4. King William Home Tour: Historic houses whisper stories of early residents, 2018 (4)
  5. Postcard from Castello di Rivoli, Turin, Italy: History with a horse hanging overhead (2019)
  6. Please put this song on Tony’s pony, and make it ride away, 2010 (6)
  7. The Madarasz murder mystery: Might Helen haunt Brackenridge Park?, 2012 (5)
  8. Street art entices venturing under the overpass, 2018 (7)

    detail of Marilyn Lanfear’s buttonwork, “Uncle Clarence’s Three Wives”
  9. Marilyn Lanfear buttons up a collection of family stories, 2018 (8)
  10. Postcard from Oaxaca, Mexico: ‘I’ve a feeling we’re not in Kansas anymore.’ 2019
  11. Postcard from Sevilla, Spain: Foods steeped in tradition, 2019
  12. Postcard from Genoa, Italy: Hey, don’t knock peanuts, 2018 (12)
street art in Oaxaca, Mexico

Thanks for putting up with my horse feathers, and please feel free to comment anytime.