UTSA Art Collection gives ‘Voz’ to Latino experience

Collectively, these artistic works constitute a powerful testimonio of the history, experience and transformations of Latino/a individuals and their place in the communities of these lands.

Out of their vision and craft, these artists have created works that imagine art as a practice of political and spiritual uprising, art as a testament to the abiding power of memory and heritage to help understand ourselves, of the central place of landscape and portraiture in capturing the stories of our legacy, and of the role of mythic imagination as a force that can be refined to re-imagine ourselves into the future.

Amidst all of the differentiation of visions, perhaps there is a deeper narrative visible here, of a people broadening the scope of the ideas and images of themselves as Americans rooted in a still contested landscape, in an increasingly globalized world.

Seen as a whole, the VOZ exhibition can be viewed as a powerful affirmation of the role artists and their work are playing in helping to unfold and reveal the destiny of a people, a story embodied in the three-hundred yearlong history of the city of San Antonio.

John Phillip Santos

More than 200 works drawn from the art collection of the University of Texas San Antonio are included in “VOZ,” on display at Centro de Artes at Market Square as part of San Antonio’s Tricentennial Celebration.

For three hundred years, San Antonio has been a place where different languages, customs and traditions have merged to form a unique cultural history.

Like all stories of a particular place and time, the work on these walls is informed by pride, joy and a tenacity that reverberates in the voices that celebrate the Latino experience.

Arturo Infante Almeida, exhibition curator

Six of the featured artists will join Almeida and Santos for a panel discussion moderated by Dr. Ellen Riojas Clark at 6 p.m. on Thursday, April 5.

The not-to-be-missed admission-free exhibition runs through June 10.

Biannual roundup of your blog-reading habits

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Thanks for once again being so predictably unpredictable in your tastes. While postcards sent “from” and about San Antonio (“San Antonio Song” soundtrack) are still your favorites, you also seem to relish postcards sent “to” San Antonio from places we travel. Oh, and you like food from anywhere.

This list represents the most-read posts during 2016. The numbers in parentheses represent the rankings from six months ago:

  1. Don’t Let Battle Zealots Overrun the Crockett Block, 2016 (1)
  2. The Madarasz Murder Mystery: Might Helen Haunt Brackenridge Park?, 2012 (2)
  3. Postcards from San Antonio a Century Ago, 2016 (6)
  4. Please put this song on Tony’s pony and make it ride away, 2010 (5)
  5. Postcard from Oaxaca, Mexico: Settling into La Biznaga, 2016 (12)
  6. How would you feel about the Alamo with a crewcut?, 2011 (4)
  7. Postcard from Parma, Italy: City’s cuisine living up to its namesake ingredients, 2016
  8. Postcard from Ferrara, Italy: First tastes of Emilia Romagna, 2016
  9. Postcard from Sintra, Portugal: Masonic mysteries surface at Quinta da Regaleira, 2014 (11)
  10. Postcard from Puebla, Mexico: Uriarte ensures talavera traditions endure, 2016
  11. Introducing Otto Koehler through a Prohibition politics caper of yesteryear, 2016
  12. Postcard from Guanajuato, Mexico: Wishing these dining spots were not 600 miles away, 2016

Thanks for dropping by every once in a while. Love hearing your feedback.

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Artpace’s 13th edition of Chalk It Up carpets Houston Street with color

Watching all the families interact with the temporal art during the annual Chalk It Up festival sponsored by Artpace makes one wish Houston Street were closed to automobile traffic every weekend.

Not sure who installed the two striking storefront murals across the street from the Majestic Theatre, but the reflections from the streetscape intermingle interestingly with them.