There we were, sitting beside each other. Phil and I. I’m talking about Phil Collins. But I just call him Phil now. Because I sat beside him for about one minute. As you can tell this is leading to one of celebrities’ worst curses: people who don’t know them writing about them. 2013 post on this blog following that year’s San Antonio Conservation Society Publication Awards
Okay. I admit it. Phil and I scarcely could be called friends. But someone needs to rise to his defense.
In Forget the Alamo, authors Bryan Burrough, Chris Tomlinson and Jason Stanford lay bare major flaws of men many Texans have elevated to heroic heights for their roles at the Alamo. They also illuminate less-than-noble reasons Texians were revolting against Mexico, including the preservation of slavery. This has so angered some of Texas’ leaders that their rhetoric against the book has helped it skyrocket up the bestseller list.
Continue reading “Please leave my friend Phil out of the ongoing Battle over the Alamo”
Above, Mission Concepcion de la Purisma by Mary Bonner (left) and by Mary Aubrey Keating (right)
‘I had always dabbled a little in artistic things in a sort of boarding school fashion, but I had certainly never taken anything I had done very seriously.’Mary Bonner (1887-1935) in a 1926 interview by Penelope Border in the San Antonio Express
Continue reading “A pair of Marys’ distinctive impressions of city landmarks”
Mary Bonner, well known etcher, in conjunction with her sister, Emma Jane, has a studio on Agarita Street. There, period furniture, rare objets d’art, first editions, and, of course best of all, etchings my be had. ‘Mary’ has won many medals and decorations from the French Government for her etchings. The Bonner place… is set in an ancient walled garden, hemmed in by giant cypress trees. In the garden there are many paths. One leads to Mary’s studio, another to an underground part of the Shop, known as the Caverns…. Beyond this, is the room for the gigantic etching press where the artist spends most of her time.Mary Aubrey Keating (1894-1953) described her fellow artist in Keating’s 1935 guide, San Antonio: Interesting Places in San Antonio and Where to Find Them.
Take Two: This post originally appeared on this blog in January of 2016, but, on the eve of an extremely rare meeting of the Citizens Alamo Advisory Committee, it seems appropriate to reemphasize the historical importance of the Crockett Block. If you know someone on the committee (list here), please forward this to them. Scott Huddleston reports in the Express-News that access to the 9 a.m. September 30 meeting can be obtained: “Details about online access to view the meeting are posted on the city’s website, sanantonio.gov. under City Council & Committee Meeting Agendas.”
Alfred Giles (1853-1920) left England for Texas in 1873 for health reasons, according to historian Mary Carolyn Hollers George, author of The Architectural Legacy of Alfred Giles.
A page 1 article in the March 26, 1883, edition of the San Antonio Evening Light related that the young architect found few opportunities in Austin and was “in very reduced circumstances.” Continue reading “Save the Crockett Block from the Alamo Wrecking Ball”