Their voices circled me in the tub today, and I was so happy to hear them again. I was worried they wouldn’t return after being neglected for the past decade.
Last week, I finally hit “send” to submit the draft of a book on the history of the Coker Settlement to the book committee of the Coker Cemetery Association. I have been living with the extended Coker family since Banks Smith first asked me to tell the story of Minnie Tomerlin and Max Voelcker about nine years ago, resulting in Last Farm Standing on Buttermilk Hill.
While the ghosts of more than 600 relatives of the Coker clan managed to haunt my baths enough to squeeze their way into the draft of the Coker book, they didn’t talk much. I wasn’t allowed to put words in their mouths; only hundreds of footnotes at the end of the chapters. Nonfiction rigidly based on historical facts.
But now I have returned to historical fiction, and, frankly, Hedda Burgemeister and Otto Koehler cannot keep their lips zipped.
I considered casting aside the first hundred pages of their story, An Ostrich Plume Hat, I wrote so long ago. One reason is no one has been clamoring for me to finish. My dialogue, despite how freely it spills out to me in the tub, probably only seems convincing to me. Counterpoint: I love listening to them.
The second reason is Joe Holley. His portrayal of Emma (Hedda) Burgemeister for Hotel Emma at Pearl describes her as a tall and blonde femme fatale. Counterpoint: Yes, Hedda shot Otto Koehler, but the nurse did not appear a sexy bombshell in her newspaper photos. The jury found her innocent of murder, and, through the years, I have grown to know her as a complex heroine of my story. I must rise to her defense.
The third reason is Mary Carolyn Hollers George. A serious historian, she is writing a book about Otto Koehler. Nonfiction, with no made-up conversations between the characters. She will surely send hers to press well before mine, if mine goes at all. Her truthful telling will make mine seem so frivolous. Counterpoint: None, except I am keeping myself entertained, and I don’t have to use footnotes.
Anyway, on the afternoon of the final exhausting presidential debate, I thought I would link you to some rowdy prohibition politics that I use to introduce to my version of Otto Koehler. This long-winded story is only for political history junkies. This is about an Austin caper much like the “killer bees” of more recent times. The tale is about 95 percent true, but was this truly Otto’s idea?
The diversion prior to debate will reassure you that politics of the past was often as messy as those clouding this election.
So, here is Chapter Three.
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Postcards from Barton Springs 