Most precious part of Zilker Botanical Garden reflects the spirit of one man

The drawing-rooms of one of the most magnificent private residences in Austin are a blaze of lights. Carriages line the streets in front, and from gate to doorway is spread a velvet carpet, on which the delicate feet of the guests may tread. The occasion is the entrance into society of one of the fairest buds in the City of the Violet Crown.

“Tictoca,” William Sydney Porter (O. Henry), The Rolling Stone, October 27, 1894

Clara Driscoll Sevier, who loved flowers to the point of promoting a rose garden next to the Alamo as more desirable than saving its historic convent walls, found Austin lacking a garden club for women. To remedy this, she invited a group of ladies to Laguna Gloria, her home that is now The Contemporary Austin, to establish one in 1924. O. Henry’s reference to the violet-crowned hills of Austin inspired the name for the new group, the Violet Crown Garden Club.

Annual flower shows were the primary focus of the club until 1946 when members set aside modest seed money of $50 to initiate efforts to seek space in the city’s Zilker Park for a botanical garden. The Violet Crown Garden Club recruited six other garden clubs to join its quest and their persistence finally resulted in the 1964 completion of the Austin Area Garden Center building in what became the Zilker Botanical Garden.

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Yet another reason to drink beer during Fiesta: Preserving our quills

If peculiarities were quills, San Antonio de Bexar would be a rare porcupine. Over all the round of aspects in which a thoughtful mind may view a city, it bristles with striking idiosyncrasies and bizarre contrasts.

Retrospects and Prospects by William Sydney Porter (O Henry)

Often I only hear brief tidbits from longer stories on Texas Public Radio because of the short distance between errands, and some of these are pleas for funds – particularly critical now as Congress is once again picking on the funding provided Public Radio. But even Public Radio’s fundraising requests can be enlightening or entertaining; although I’m certainly happy Ira Glass never has called personally to pin us to the mat about the size of our contribution.

In one of the local pitches the other day, David Martin Davies talked about his visit to the O. Henry House downtown (My apologies possibly, because, for the above reason, I am not positive who was speaking.). He pointed out a few historical inaccuracies, such as the small stone structure should be called O. Henry’s Office and “O. Henry’s typewriter” on display in the shuttered museum was not manufactured until two years after the author’s death. But the typewriter hooked him, and he ended up buying one just like it on ebay for $50. What’s great is not only does the antiquated typewriter work, but the next generation in his family loves typing on the strange piece of machinery not connected to a screen.

Okay, I have probably lost all readers by now. Where does the beer figure into this rambling post?

Davies mentioned on air that the Texas Public Radio spot on the O. Henry House was part of a new series focusing on historic preservation, and this series is made possible by a grant from the San Antonio Conservation Society. The main source of income for the San Antonio Conservation Society is A Night in Old San Antonio, or NIOSA, which gets underway on Tuesday, April 12. So, much as with the prior post about the King William Fair, every beer you drink helps the Conservation Society’s efforts to preserve San Antonio’s distinctive heritage.

Seems O. Henry would have approved, as even he remarked long ago of San Antonio’s party spirit:

…it stands with all its gay prosperity just on the edge of a lonesome, untilled belt of land one hundred and fifty miles wide, like Mardi Gras on the austere brink of Lent….

Retrospects and Prospects by William Sydney Porter (O Henry)

So let the Fiesta begin (even in the midst of Lent), and keep San Antonio quilled.

P.S. Help even more by purchasing one of Kathleen Trenchard’s 2011 NIOSA pins.

April 10, 2011, Update: Paula Allen writes about the giant “party with a purpose.”