Postcard from Oaxaca, Mexico: ‘Nobodies’ and enslaved awaken walls

Above: A haunting image of a tightly bound slave on his side at the bottom of a wall is one of many works emerging from the Colectivo Subterraneos.

A prior post introduced Oaxaca’s Colectivo Subterraneos along with its series of “Los Nadies” on a pink-walled house in Barrio de Xochimilco, but these figures have popped up throughout the historic center of the city.

Unlike the scrambled mix-and-match style of the figures on the pink structure, most of these “Nobodies” are privileged enough to have retained their own original bodies. Prints of slaves also plaster buildings, images so powerful that Gord Goble described them in Penticon Now as both beautiful and terrifying portrayals of “man’s inhumanity to man.”

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Postcard from Bordeaux, France: Not shying away from the past

Shadow of shackles prominently displayed in Musee d’Aquitaine

The collection housed in Bordeaux’s Musee d’Aquitaine covers a broad swath of the history of the region’s past 500,000 years.

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Please leave my friend Phil out of the ongoing Battle over the Alamo

There we were, sitting beside each other. Phil and I. I’m talking about Phil Collins. But I just call him Phil now. Because I sat beside him for about one minute. As you can tell this is leading to one of celebrities’ worst curses: people who don’t know them writing about them.

2013 post on this blog following that year’s San Antonio Conservation Society Publication Awards

Okay. I admit it. Phil and I scarcely could be called friends. But someone needs to rise to his defense.

In Forget the Alamo, authors Bryan Burrough, Chris Tomlinson and Jason Stanford lay bare major flaws of men many Texans have elevated to heroic heights for their roles at the Alamo. They also illuminate less-than-noble reasons Texians were revolting against Mexico, including the preservation of slavery. This has so angered some of Texas’ leaders that their rhetoric against the book has helped it skyrocket up the bestseller list.

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