Adding to some photos from the past three years, here is another installment of random encounters with street art in Oaxaca….
Gayle Brennan Spencer – sending random thoughts to and from South Austin

As 2016 begins, you, once again, have given me an excuse to write about whatever strikes me. Your favorite posts on this blog during the past six months are as random as the thought process of the writer pecking at the keyboard.
I have to admit I love it that you continue to let the ghost of Helen Madarasz haunt Brackenridge Park, care enough about the future of Alamo Plaza to go back to old rants and are still looking for the cowgirl’s “San Antonio Song.” You care about art and artists of San Antonio, even when the art is tiny, and cherish San Antonio’s Fiesta traditions, even when raucous. And you tolerate family stories and postcards from our travels. All of these are therapeutic breaks for the blogger struggling to complete the story of the Coker Settlement.
The numbers in parentheses represent the rankings from six months ago:
Thanks for dropping by every once in a while. Love hearing your feedback.
How could I have missed these voluntary works of public art placed anonymously along the River Walk, coincidentally close to the Southwest School of Art? But I did.
Because they are tiny, probably averaging six inches tall.
Stumbled across my oversight in a clip from a KLRN Arts show, a repeat of a broadcast originally airing this past February.
Of course, I went searching for them in the stretch between the North St. Mary’s and McCullough bridges. I know I missed some, but many already are barely shadows of their original selves. They are fading away.
Certainly, I feel guilty publicizing unauthorized art along the River Walk. But these are so small and give those spying them such pleasure.
Their whimsy would be lost if both magnified and multiplied. Containment is an issue. Graffiti-abatement is a constant battle, with inner-city graffiti more threatening than aesthetically appealing. Most of the walls under bridges are coated with graffiti-repellant paint.
But for me, these particular works resound as a call for a different form of public art. Maybe large-scale, expensive undertakings could be supplemented by extremely small installations in unexpected places. Artwork many might overlook, but so rewarding for those who encounter them.
Go on a hunt for these treasures before they completely disappear.