Postcard from London, England: Art restores power to the station

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 Above: “Life in His Mouth, Death Cradles Her Arm,” Naufus Ramírez-Figueroa, 2016. Photo grab from video.

St. Paul’s Cathedral

Architectural Challenge Number One, 1940s: Design an industrial complex on a site directly across the Thames from one of London’s most cherished landmarks – Saint Paul’s Cathedral. Sir Giles Gilbert Scott (1880-1960) was an accomplished architect by the time he was tapped to tackle the Bankside Power Station. Unlike his earlier two-chimneyed Battersea Power Station, Bankside featured a single soaring chimney front and center, prompting some to refer to it as the cathedral of industry.

Architectural Challenge Number 2, 1990s: Convert a massive decommissioned power station into a frame for modern art. An international competition attracted 168 submissions, with the Swiss architectural firm of Herzog & de Meuron selected for the adaptive reuse project. The firm’s respect for and desire to preserve the external features of the brick power station impressed the selection committee of the Tate Modern.

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Postcard from Palermo, Sicily: Zisa Palace bears Moorish imprint

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Above: Marble sepulcher marker of Anna, died in 1148, inscribed in Jewish, Latin, Greek and Arabic

The fourth-born son of a king rarely grows up preparing to ascend to the throne. Yet, the deaths of the eldest three sons of Roger II (1095-1154), King of Sicily and Africa, all preceded their father’s. Ready or not, William I of Sicily (1121-1166) inherited the crown.

Of course, that makes things sound simpler than they were. Naturally, he faced challenges, quickly losing Africa to the Moors. Then there problems with popes, Byzantines, Romans, Greeks, scheming relatives and revolting barons. King William managed to stay in power, while refusing Sicilian nobles the participation in government they coveted. While his father was known as Roger the Great, William was dubbed the Bad or the Wicked. Perhaps this was unfair, but the history of his reign was penned by a nobleman with a definite chip on his shoulder.

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Postcard from Morelia, Mexico: A wedding cake turned inside out

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Above: Santuario de la Virgen de Guadalupe

Desiring to appeal to the indigenous population, the Catholic Church hired native craftsmen to complete the Sanctuary of the Virgin of Guadalupe on the outskirts of Morelia more than three centuries ago. Dedicating it to the Virgin of Guadalupe indicates the desire to appeal to the indigenous population.

The 18th-century Baroque façade might be plain vanilla, but it’s like a wedding cake turned inside out. The interior serves up a bountiful bouquet of colorful icing doodads, an indigenous translation of Rococo. Stunning polychromed clay flowers cover the walls and ceilings. The spectacular glamming up of the sanctuary was not carried out until 1915.

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