Postcard from Herculaneum, Italy: Hot volcanic ash buried town for centuries

View of Mount Vesuvius from Vomero neighborhood in Naples

Although a gorgeous backdrop on the Sea of Naples, Mount Vesuvius is not sleeping. The only active volcano on the mainland of Europe erupted as recently as 1944, showering ash and rocks upon the Allied forces establishing an airbase nearby.

But the volcano is most known for its spectacular explosion in the year 79, an event reputed to have killed as many as 16,000 citizens of the Roman Empire.

From “Visiting Pompeii” on World Archaeology:

At peak intensity, the eruptive column reached a height of 30km (about 18 miles) or more as the mountain ejected 150,000 tons of material per second…. The air-fall of ash, pumice and occasional rock fragments, accumulating at about 15cm an hour, eventually covered Pompeii to a depth of almost 3m (close to 10 feet)….

The mountain had not finished its work, however, and only now, in the final six hours or so of the eruption, did it became truly lethal….

“A fearful black cloud,” Pliny reports, “was rent by forked and quivering bursts of flame, and parted to reveal great tongues of fire, like flashes of lightning magnified in size. …Soon afterwards the cloud sank to earth and covered the sea ….”

It took perhaps five or six minutes to reach Pompeii from the lip of the crater: a dense, rolling, ground-hugging mass of gas, ash and rock (the pyroclastic flow), preceded a few seconds in front by a scorching blast like that from a flamethrower…. At its hottest, where temperatures reached anything from 400 ° to 800 ° C, the ‘black cloud’ carbonized wooden timbers, doors and shutters, and killed those it struck instantly, as brains boiled and skulls exploded in the flash. Others, where the heat was less, were asphyxiated as they breathed in hot gas and incandescent ash….

In the 24 hours plus that the eruption had lasted, it is estimated that Vesuvius had unleashed thermal energy 100,000 times greater than that of the atomic explosion at Hiroshima.

Strangely, the destruction of Pompeii and other towns around the base of the volcano preserved the ruins for thousands of year.  Ancient cities frozen in time.

I was fortunate to have visited Pompeii in college, but much has been uncovered, restored and opened to public since then.

The flaw is that the 163-acre archaeological park is no secret. The number of tourists swarming through the treasured ruins is creeping toward 4-million annually. Photographs such as the lead one for an October story in the New York Times, “Can a Restored Pompeii Be Saved from ‘Clambering’ Tourists?,” scared us away. Paige McClanahan writes that nearly 450,000 people overwhelmed Pompeii in the month of July.

In contrast, only about 300,000 tourists visit Herculaneum a year. So instead, we opted for the much smaller town, a little closer to Naples, not as spectacular but not over-crowded.

The first official explorations at Herculaneum were begun in 1738, yet only a small portion of the once-wealthy port town has been excavated. While the archaeological zone is modest in size compared to Pompeii, the affluence of its residents is evidenced by abundant use of marble throughout.

For centuries, it was believed that almost the entire population of the town had been evacuated by sea before the worst of the eruption. But in the 1980s, digs uncovered skeletal remains of hundreds, huddled together under the arcades of the then-seaside boat houses, buried under ash while waiting ships that failed to save them.

We left them unmolested, as the hoards of tourists in Pompeii left us unmolested to explore Herculaneum at our own pace in peace.

Postcard from Naples, Italy: Skulls of lost souls up for adoption

Quando finisce la partita il re ed il pedone finiscono nella stessa scatola.

The English translation would be: When you finish the game, the king and pawn end up in the same box. In other words: we all meet the same end.

“Best Italian Proverbs,” Rome, Food, Travel

There appears no shortage of ancient Catholic churches in Naples. Yet even by the 16th century, their walls, floors and underground catacombs were oversubscribed by the faithful demanding interment inside. Something needed to give.

Clever undertakers found a solution. They began digging up older remains, the ones of souls long forgotten, to free up space for the newcomers. The ancient bones were carted away discreetly to shallow graves in an enormous system of caves – natural caverns extended by ancient Greek and Roman tunnels and quarries for building materials for the city.

Then came the plague of 1656, decimating the population. The spiraling number of corpses led to their mass disposal atop the existing shallow graves in the caves.

The anonymous pile might have been forgotten were it not for an end-of-the-century flood washing all the bones out and depositing them helter-skelter on the streets below. The bones were returned to the cave, which then was deemed a more official location for disposing of deceased paupers.

An 1837 cholera epidemic swelled the number of residents unceremoniously dumped together in disorderly fashion. The charnel house became known as the Cemetery of the Fountains – Cimitero delle Fontanelle.

In 1872, a priest took pity upon all of the remains of the departed, many tossed inside without receiving their last rites. He had them sorted and arranged in a more orderly fashion, which attracted renewed interest among compassionate Catholics.

A cult arose, as people began to lovingly adopt skulls – capuchelle – of the abandoned souls – pezzentelle – in return for protection. They assigned the unknown names that appeared to them in dreams. They cleaned them, brought them small tokens of their affection, and kept them company.

Then, in 1969, the Archbishop of Naples decreed the practice fetishism and closed the entire ossuary to visitors. The deprivation of visitation rights to ancient adopted kin proved unpopular.

The cemetery was restored in early 2000 but was only unlocked for visitation a couple of times a year. Following protests including an overnight occupation, the cavernous space was reopened on a daily basis in 2010.

Only spotted one caregiver inside. She dashed down the entire length, her boyfriend lagging a ways behind. She stopped mid-right in the last chapel. Obviously, she only had eyes for but one skull amongst the abundance. She stooped to present something to her capuchelle, murmured a word or two, and then dashed back out as quickly as she entered. Her fidanzato rushed to keep up.

As you wander in the dimly lit chambers with bare rock walls and soaring ceilings, the space feels as hallowed as that of any ornately gilded church nave. The named capuchelle do indeed began to assume personalities of a sort, indicating that no two skulls are alike. They all are individuals; each with a story.

As in Mexican cemeteries on the first days of November, by the time you leave, keeping company with the dead no longer appears as bizarre. Eerie, yet somehow soothing.

And there are 30,000, 40,000, maybe even 50,000 more skulls stacked up, waiting for adoption.

Update on October 28, 2020: AtlasObscura has released a video touring Fontanelle.

Biannual Roundup: Kind of like beating a dead horse

taxidermy horse nonvecento maurizio cattelan castello di rivoli

All one needs to do to drive up readership in San Antonio is mention the Alamo. The top three posts attracting attention to this blog during the past 12 months were all Alamobsessive.

Unfortunately, the main concern drawing you in, the fencing in of Alamo Plaza, is a horse already out of the barn. The city agreed to turn over San Antonio’s management to the State of Texas and allow them to corral it.

The next two were complaints about the Texas GLO’s non-reverential management of their new acquisition with its addition of a shiny red faux Alamo. Even those images have failed to spur any action; powers that be must be wearing blinders.

Welcome to the faux red Alamo plopped down in the middle of Alamo Plaza.

Sometimes it feels as though sharing concerns for Alamo Plaza is like beating a dead horse, but you apparently are interested in dead horses as well because fifth on the list of most-read posts this year was a postcard “to” San Antonio from Italy featuring an embalmed horse hung by artist Maurizio Cattelan in the Museo d’Arte Contemporanea in Rivoli.

Without further horsing around, the following list represents the posts you clicked most, with the numbers in parentheses representing rankings from six months ago:

  1. Alamo CEO applying armtwisting pressure to secure gated plaza, 2018 (1)
  2. Has Alamo Plaza fallen in the hands of ‘reverential’ caretakers, 2019
  3. How’s the GLO managing Alamo Plaza? Welcome to the faux Alamo, 2019
  4. King William Home Tour: Historic houses whisper stories of early residents, 2018 (4)
  5. Postcard from Castello di Rivoli, Turin, Italy: History with a horse hanging overhead (2019)
  6. Please put this song on Tony’s pony, and make it ride away, 2010 (6)
  7. The Madarasz murder mystery: Might Helen haunt Brackenridge Park?, 2012 (5)
  8. Street art entices venturing under the overpass, 2018 (7)

    detail of Marilyn Lanfear’s buttonwork, “Uncle Clarence’s Three Wives”
  9. Marilyn Lanfear buttons up a collection of family stories, 2018 (8)
  10. Postcard from Oaxaca, Mexico: ‘I’ve a feeling we’re not in Kansas anymore.’ 2019
  11. Postcard from Sevilla, Spain: Foods steeped in tradition, 2019
  12. Postcard from Genoa, Italy: Hey, don’t knock peanuts, 2018 (12)

street art in Oaxaca, Mexico

Thanks for putting up with my horse feathers, and please feel free to comment anytime.