Adam and Eve, 10th-century mosaic in the Palatine Chapel inside the Norman Palace
The Palatine Chapel is the most beautiful in the world, the most surprising religious jewel ever evolved up by the human mind and executed by the hand of an artist…. where the harshness of the Gothic style brought here by the Normans is tempered by the wonderful art of Byzantine ornamentation and decoration.”
Guy de Maupassant, “La Vie Errante,” 1901
The facade of the immense Norman Palace is so cold and boring, I could not bear to take a photo of it. The original stark building was built to serve as the residence of kings installed after the Norman conquest in 1072. But one should never judge a book by its cover….
Proclaimed the King of Sicily by papal bull in 1130, Roger II (1095-1154) had been exposed to the various architectural influences that had ebbed and flowed with invasions of the island for centuries. For the eight-year construction of the royal chapel within the palace, he recycled some rather wild Corinthian columns and tapped both the talents of Moorish builders to craft the honey-combed muqarnas of the vaulted ceilings and Byzantine artists for the exquisitely detailed mosaics of the transept. The mosaics of the nave, a little bit cruder but still stunning, were commissioned from local artisans by William I (1120-1166), known as William the Bad; and William II (1153-1189), known as William the Good.
Continue reading “Postcard from Palermo, Sicily: Byzantine mosaics and Moorish muqarnas”