Postcard from Lisboa, Portugal: Sardines and the Saint

Somehow the sardine has been elevated to a level almost of the saint himself, Saint Anthony that is.

Outside of Portugal, he might be known as Saint Anthony of Padua. But, here in Lisboa, he is their hometown boy. He was born right here. A saint of heroic proportions, so much so that his Feast Day, June 13, is glorified by a full month of celebrations.

People have been prepping for the party ever since our arrival in Lisboa. Festoons are flung across streets. Banners hang and bleachers are set up along the broad, tree-lined Avenida da Liberdade, ready for a parade on June 12. Neighborhood groups gather and parade across town to his church on various evenings. And, in Alfama, booths come alive nightly, plying passersby with jiggers of the strong cherry ginjinha, jugs of sangria, beer, fried things and, of course, grilled sardines.

Sardines seem synonymous with the celebration, with artist-designed sardines featured on the banners of the umbrella group, Festas de Lisboa. This might stem from one of the numerous miracles attributed to Saint Anthony. Perhaps tiring of preaching to skeptics, he turned to the water and starting praising the glory of the fish who all rose enraptured to the surface, listening until he completed his sermon.

Surely, the attentive ones must have been sardines because it makes everything so convenient. Because this is their prime season. Along the coast, colorful fishing trawlers head out at night with nets to encircle the schools of sardines to bring back fresh to the docks by morning. By noon, they sizzle on grills everywhere throughout the country, the smoke and smell scenting the air heavily on some streets.

These freshly caught ones seem unrelated to the strong-tasting, oily canned sardines I remember from childhood. The fine bones of small ones thrown on the grill can be easily chomped upon, but the plump larger ones that you must filet are prized for their moist, sweet meat.

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Being here on June 13th is sort of a pilgrimage, because, although named in his honor, San Antonio, Texas, pretty much ignores his day. Even his mission, the Alamo, no longer is known by his name. Frank Jennings tried to get a meaningful Founders’ Day going, and Rolando Briseno attempted to create artistic pageantry in honor of San Antonio’s patron saint.

But nothing stuck.

Yet….

 

‘So Doth a Little Polly,’ sayeth this Lamar

mockingalamo

In June of 1920 I received the degree of Bachelor of Arts with Honors in Mathematics and Economics, a title which, coupled to the name of Lucius Mirabeau Lamar the Third, was of such resounding grandiloquence as to bring from the assembled students faculty and families (who else would be there in the boiling muggy Texas sun?) a burst of applause embracing, I knew well enough, a component of irony. It did sound good, as some of the movie false fronts look good, but there was mostly air behind it.

From Shards by Lucius M. Lamar, 1968

And this before Lucius M. Lamar, III, (1898-1978) added a law degree.

It is not surprising someone so willing to self-mock would choose a conscientiously pretentious name for the protagonist in a pride-before-the-fall, the-grass-is-always-greener, be-careful-what-you-wish-for fable, So Doth a Little Polly, woven for his five-year-old-niece and seven-year-old nephew.

Jesus Francisco de Assisi Sensontle.

This tale of a San Antonio mockingbird did not bow to monosyllabic rhyming words first-graders could read. No, it was a vocabulary-stretching story rippling with multiple layers of bicultural meaning and accompanying music ranging from “Hinky Dinky Parlez Vous” to Handel.

Sensontle, or Don Sensontle as he preferred to be called, wintered on Alamo Plaza, convinced he reigned over all other feathered creatures. He believed his singing so awe-inspiriting he was “astonished at his own virtuosity” (Notes in the margin recommend the accompaniment of a toy flute here.).

One day a sparrow, Cecil, asked if Sensontle had read the recent news from Austin in the paper:

“A gentleman never reads,” replied Sensontle with dignity, being innocent of that clerical accomplishment.

“Perhaps not,” went on Cecil, ignoring the implication….

The news Cecil the sparrow was trumpeting was that the mockingbird had been proclaimed the State Bird of Texas.

Pompous pride over this tribute soon led to a downturn in Sensontle’s popularity among the birds of the plaza (pompous chords followed by a fast march).

Frustrated, Sensontle flew to a home on Zarzamora Street to visit his caged cousin, Maria Ysabel Dolores Soledad Sensontle, “a handsome and engaging young fellow, whose somewhat effeminate name had been bestowed by his captors under a misapprehension as to his sex.”

Yearning for an easy life, Sensontle negotiated to change places with his cousin for a year.

youtube video posted by zxtkain

A year later Maria returns and perches on the branch of a fig tree near his former cage. Sensontle desperately pleads:

“Kindly release me.”

“Come,” said Maria, “your morals have improved at the expense of your manners. You should ask no labor of me until I have got my wind.”

“I ask nothing save the fulfillment of your promise, which is a sacred duty you should perform at once, tired or not. Be quick, let me out!”

“Patience, cousin, patience,” soothed Maria.

And then.

And that’s the problem.

Twelve dried, yellowed, longer-than-legal-sized typewritten pages.

The end of the story is missing, scattered somewhere amongst the shards left in the wake of closing the Mister’s parents’ household. Lost. Along with copies of other “children’s” works produced by Lucius, including “Hardboiled Harry.”

We are hoping the Mister’s great-uncle passed the stories down orally to his own children and are mailing “So Doth a Little Polly” to his daughter tomorrow.

Please. Let us know if Sensontle lived to fly freely lording over the Alamo once again….

Visit those quiet little missions before the reenactors remember the Battle of Espada

One of the nicest features of the Mission Reach of the San Antonio River Improvements Project is that it invites you to visit the missions strung along the banks of the San Antonio River.

And not just the first two you normally take visitors from out of town to see before you get missioned-out and head for margaritas.

But the oft-overlooked San Juan Capistrano and San Francisco de la Espada, which, true confession, the Mister and I had not seen for at least two decades (but, true confession, not as long as it’s been since my last confession). Their histories easily can be found online, so I will not attempt to rewrite. This post is simply meant to entice you through pictures to rediscover what we tend to forget on the south side of town.

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Mission San Juan Capistrano was founded in 1716, with much of the mission compound not completed until 1756. San Juan himself must of have been incredibly pious because he was governor of Perugia, the chocolate capital of Italy, before becoming a Franciscan. However, since chocolate came from the New World, maybe lording over Perugia around the year 1400 was not as flavorful as it would be today.

When the Mister and I made a mid-morning stop at the mission, the information center was staffed by a volunteer from the parish. What was wonderful was that he peopled the mission for us with his own ancestors, photographs of ancestors he did not realize had lived within the protective mission walls until seven years ago. Plus, he told us how a window at each of the missions is positioned to let illuminating rays of light shine on the statues of each one’s patron saint on the appropriate feast day. Clever calculations by the priests; miracles to the Native Americans they were converting.

The National Park Service seems proving a good steward of the grounds, and Father David has been applying the funds he has raised successfully through the nonprofit Old Spanish Missions to re-stucco the church for the first time in about 250 years. The church now gleams against the blue Texas sky. Unfortunately, the priest does not keep the same hours as the park, so we did not view the interior. Probably the most reliable time to view the interior is during a scheduled Mass, but I’ll probably stick with more random attempts.

Visiting Mission San Francisco de la Espada should become a more fashionable pilgrimage now with the popular Pope Francis in charge at the Vatican. More attention undoubtedly will be focused on Saint Francis, about whom I have written before in this blog. It would help if San Antonians, including myself, would incorporate the Francisco instead of shortening the name to Mission Espada.

Of course, if the National Park Service really wanted to market Espada to Texans, maybe the thrust of the story should change away from the agrarian and vocational skills the friars taught the inhabitants.

I mean, look at the Alamo. If you make it about guns, they will come, as Land Commissioner Patterson recently showed us.

If more people were aware of the battle fought there in October 1835, Espada would soon be mobbed.

The following is from a report submitted to General Austin by James Bowie and James Fannin following the battle, according to Wallace McKeehan on the Sons of Dewitt Colony Texas website:

Mission of Espadas, Saturday morning 7. oclk AM 24th octr 1835 Genl S F Austin Half an hour since we were attacked by the enmy, who were repulsed, after a few fires being exchanged Only a few men were seen-say about fifty-tho, from the dust etc. it is believed 200 or more, were in the company-Dr Archer says that Col. Ugartichea was the commandant, as he plainly saw him, and recognised him-The place is in a good condition, or can be made so in an hour, for defence, and until we know, of the advance of some aid, or what was intended by this feint, we will continue to occupy this station, where we have provisions enough for the army provided means are supplied to purchase….

If the Alamo attracts millions of visitors to a site where virtually all the Texians were slaughtered, wouldn’t people love to visit the spot where Bowie and Fannin were victorious?

Espada is the spot.

Visit it now. Before the word gets out. While it is still a peaceful place at the end of the Mission Reach.

A place to celebrate the Feast Day of St. Francis on October 4, perhaps even witnessing the rays of light illuminating his statue.

And well before reenactors decide they need to start shooting off noisy guns at 6:30 a.m. every October 24.

Update Added on August 12, 2014: As August 15th brings a solar illumination to Mission Conception in time for the Feast of the Assumption of Mary, an article in Today’s Catholic by Carol Baass Sowa sheds light on the phenomenon that would amaze Native Americans:

It was the Franciscan missionaries’ knowledge of astronomy, he related, that was responsible for the incorporation of solar illuminations in a number of their churches. They served to symbolically communicate the friars’ Catholic faith to the Native Americans, much as medieval churches used stained glass windows to tell the story of Christ and Gothic arches pointed upwards towards highly decorated ceilings to symbolize the heaven men should strive to attain.

Arriving in what was a wilderness, the Franciscan founders of Concepcion had little to work with, Father (David) Garcia explained, so they built into the church the symbols and signs that would tell the indigenous people about God and Christ. “They had a ray of sunshine come in and illuminate the sanctuary,” he said. It was a way to tell the native people “God is moving among us…..”

The friars were highly educated men, (George) Dawson explained, and the Catholic Church used churches as solar observatories since the 15th century as a means to figure out such things as when Easter fell. Also leading credence to the case for the Franciscans is research on the California missions, which has shown one or two Franciscan priests were in charge of construction for several of the missions there which feature the majority of the solar illuminations….

Mission Espada also has an illumination, he related. On the morning of Oct. 4, the Feast of St. Francis of Assisi, (the Franciscans’ founder), light from the rectangular window on the eastern wall bathes the statue of St. Francis on the altar in a golden glow. Again, there is a duplicate display on March 9, which happens to be the feast day of St. Frances, a woman mystic who died in the 1400s.