Tag: mexico

Postcard from Puebla, Mexico: Sprouting a new crop of enthusiastic chefs

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A green and yellow stamp featuring a corn plant and flower, labeled 'FLORA DE MEXICO' and 'maiz' with a moon in the background.

Above: Seafood soup at Mucho Bueno Pesca y Pisto

Our prior trip to Puebla was a decade ago, and the food scene has changed dramatically since then. You will find only one revisited restaurant represented in this alphabetical summary of places we enjoyed. While you might be expecting photos loaded with plates of the region’s famed chiles en nogada, we were not there during their season, which is now.

A bunch of fresh huauzontle, a green herb with small flowering buds, displayed against a white background.
Above: Fresh huauzontles

Chefs’ elevation and celebration of herbs and vegetables native to the Americas has increased, often corn-centric. Several places introduced us to huauzontles, a bushy, wild herb related to quinoa and amaranth.

Augurio compressed huauzontles into breaded patties filled with fresh goat cheese afloat in a pool of chile pasilla mole. The restaurant manages to combine an upscale contemporary feel with traditional ingredients and recipes of “baroque” Puebla.

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Postcard from Queretaro, Mexico: Queen of the night, monarch gems and more

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Colorful postage stamp featuring monarch butterflies, designed by Michael Parsons in 1988.

Above: Night-blooming cereus, or Queen of the Night, in the garden of La Casa de los Ladrillos

Late this past summer in Queretaro, shimmering jade-green pendants ringed with golden beads clung to patio walls of a casa particular where we stayed with a friend. Gleaming gems sheer enough to reveal the treasures growing within – golden wings emerging to flutter and feast on flowers before joining the millions migrating to nearby Michoacan.

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Postcard from Queretaro, Mexico: MACQ confronts contemporary topics

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Above: “Waiting Has a Price,” Rodney Zelenka, 2021

Visiting this past summer, I found myself awestruck by the contemporary political and social issues tackled by exhibitions at the Museum of Contemporary Art of Querétaro (MACQ). Although housed within the walls of an ancient convent, the museum’s international art is far from the conservative colonial paintings long associated with the city.

“Incomprehensible Realities,” a show by Panamanian artist Rodney Zelenka (1953-), delivered the universal plight of migrants to the forefront with the powerful precision of a karate chop, to be expected from a painter with a Black Belt. Many of his surrealistic works featured suitcases, shoes, hats – things that get left behind – executed in bright primary colors normally associated with happiness set against a backdrop of gray splotches resembling abstract gravestones.

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