Richard Nitschke: Seeing Agave in a Different Light

When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not….

I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.

Georgia O’Keeffe

The striking beauty of the agave is not as hard to overlook as a petite flower, but four-foot by four-foot photos do command attention.

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Long-prized in Mexico for both medicinal uses and for producing Tequila, the plant has earned great respect in South Texas for its ability to withstand droughts.

Although not opposed to Tequila consumption, Richard Nitschke views the agave differently. He photographs the ones on his Hill Country ranch over and over under varying conditions, pushing the limits of light by shooting into the sun, overexposing and underexposing in order to release compositions hidden within. His focus on light and design at times makes his images border on the abstract.

Two of his agaves won awards in the Paris International Fine Art Photo Competition, and two of his works are included in the permanent collection of the Bibliotheque Nationale de France.

“Agave” opens for a three-day run at the 110 West Olmos Gallery from 6 to 9 p.m. on Thursday, December 12. The photos also can be viewed from 10 a.m. to 6 p.m. on Friday, December 13, and from 10 a.m. to 3 p.m. on Saturday, December 15.

Prior to making his living in commercial construction during his child-rearing years, Richard studied ceramics with Steve Reynolds at UTSA and worked in the silkscreen studio at the Guadalupe River Ranch. He also is a bluesman, singing lead vocals and playing rhythm guitar and the harp with the Mister in the After Midnight Blues Band.

Catch the art, and then make time the following weekend to catch the band playing at Gustav’s Bier Garten behind Magnolia Pancake Haus on Huebner from 8:30 to 11:30 p.m. on Friday, December 20. The doctor temporarily has grounded Claytie’s warbling, but Ginger Pickett will be filling in with the kind of holiday blues you want to catch.

Please come and take them away from downtown San Antonio

You spent a year planning your wedding. Your ceremony will be Saturday in the church whose bell Sam Maverick had forged from cannon from the Alamo. Your attendants will line the sidewalk leading from St. Mark’s under the canopy of trees in Travis Park, showering guests with rose petals as they walk to the reception in the historic St. Anthony Hotel.

Whoops. Sorry you didn’t get the word.

Travis Park will be filled with approximately 1,000 armed men on Saturday afternoon.

But don’t worry. Your guests should feel really safe because these men with shotguns and rifles are really responsible. I mean, out of 1,000, what are the odds one would be a little mentally imbalanced or trigger-happy?

Of course, part of their plan is to try to antagonize the San Antonio Police Department by skirting or outright violating city ordinances and daring the police to arrest someone.

This is a goal because then they can howl all over the internet and sue the city. They want to show everyone San Antonio police are unreasonable in their attempts to make the rest of us unarmed people feel safe, those of us who might fear the one out of 1,000.

Alamo Plaza is such a small area of San Antonio in which to stage a protest – Come and Take It, the newest event added to San Antonio’s festival schedule. Yes, there will be great photo ops in front of the Alamo, but staying put in one place might not make the police nervous enough to arrest someone for carrying a weapon in a threatening manner.

Yes, the demonstrators will maintain an armed presence in Alamo Plaza from 10 a.m. to 2 p.m., but a large contingent of these law-abiding citizens will break away for Travis Park at 12:30 p.m., according to Murdoch Pizgatti of Don’t Comply.

There they will have stump speeches, revving up the crowd against the tyranny of police who would respond to a 911-call by some citizen who found it alarming when one of the Come-and-Take-It crowd walked into a Starbucks with a rifle or came and sat down with a trusty shotgun in a crowded movie theatre. Right there, in Travis Park, under what Murdoch calls “the statue.” You know the one. The Confederate monument.

If no one has been arrested yet, the group will then head for a little downtown “tour” out front of one of the police stations. And then back around through downtown to wind up the whole family friendly event in front of the Alamo.

Not content to be able to take their guns hunting, to keep them bedside to guard against intruders or in hand on a ranch in case of rattlesnakes, they want to brandish them downtown. They feel insecure unarmed, like Linus without his blanket. Because for these men “the front line is everywhere.”

In my mind, the Come and Take It guys have stolen downtown from me and thousands of others Saturday.

Use your guns to hunt and protect your own property; don’t bring them into our shared public spaces – you know, parks and such maintained by tax dollars many of you view as money stolen from you.

Personally, I want to thank all the members of the San Antonio Police Department who put their lives on the lines for us everyday, to make sure the rest of us can work and play downtown. You should not be harassed the way you will be tomorrow, and particularly not by the Land Commissioner of Texas. the self-proclaimed “#1 gun guy in Texas” who longs for a time when kids are free to take antique guns to school for show and tell.

“They say Sam Maverick forged the bell for St. Mark’s from a cannon used during the Battle of the Alamo. If only the concept proved contagious….” Postcards from San Antonio – No. 12, “Peace be with you.”

Singing high praise for the trees Max and Minnie spared: ‘Last Farm in Town’

last-farm-coverOkay, we’re behind the times. Last Farm Standing on Buttermilk Hill has no promotional video.

But, is this cool or not?

It has a song. A song recorded on August 30, 2013.

Well, okay. The book doesn’t own it.

But the song surely will become the official one of Phil Hardberger Park Conservancy, supportive caretaker of the former farmland on which Max and Minnie Voelcker spared the trees shading walkers and runners in Phil Hardberger Park.

This is what the vocalist, Michele McMurry, wrote about “Last Farm in Town” on August 31:

Doug (McMurry) and I recorded this song, which he wrote as a tribute to Phil Hardberger Park and the rich roots of the Voelcker dairy farm. Doug was inspired by a book titled “Last Farm Standing on Buttermilk Hill,” written by friend and colleague, Gayle Brennan Spencer.

As you may know, Doug is very involved with parks as a director of the Phil Hardberger Park Conservancy and former chairman of the City of San Antonio Parks and Recreation Board.

The neat part was Doug playing my dad’s 1964 Martin (D28) guitar.

Enjoy …

“The Last Farm in Town” by Doug and Michele McMurry…

Oh, and the photo in the video is the interior of Max and Minnie’s milking barn.