Neighborhood memories embedded in the walk

dances-at-auditoriumDances at Municipal Auditorium They’d

bring a rope down the middle and

blacks would dance on one side

whites on the other side

Sometimes the rope would fall down

and no one said anything

Varied our morning walk and was reminded of one of my favorite sidewalk-art sites in Southtown – neighbors’ remembrances embedded around the pocket park on South Presa. This one seems appropriate with the completed transformation of Municipal Auditorium into the Tobin Center for the Performing Arts.

The walk also took me by an old haunt, the un-graves of the Meier Brothers.

And here’s the transformation of the auditorium to the Tobin Center as viewed from the offices of Marmon Mok. No rope down the middle.

Remembering everyday people: Our rural heritage merits attention

Photograph of the old rock house on the Voelcker Farm taken by Dudley Harris for "Last Farm Standing on Buttermilk Hill"
Photograph of the old rock house on the Voelcker Farm taken by Dudley Harris from “Last Farm Standing on Buttermilk Hill”

Max and Minnie Tomerlin Voelcker loved and fiercely protected their land from encroaching, encircling development swallowing up neighboring farms. The towering trees shading walkers in Phil Hardberger Park result from their stewardship.

Max and Minnie were not well-known in San Antonio, unless you were a frustrated real estate developer trying to court them. They were just plain, ordinary people. Like most of us.

Photograph by Dudley Harris of the Voelcker Dairy barn for "Last Farm Standing on Buttermilk Hill"
Photograph by Dudley Harris of the Voelcker Dairy barn from “Last Farm Standing on Buttermilk Hill”

What the retired dairy farmers never would have envisioned is that their old farm would end up safeguarded by the city that endangered it. The city’s Office of Historic Preservation has submitted a nomination to include the farmstead on the National Register of Historic Places, according to Preservation News:

The Max and Minnie Voelcker Dairy Farm, located in San Antonio’s Phil Hardberger Park, was nominated to the National Register of Historic Places this past spring. The farmstead exemplifies a turn-of-the-century agricultural landscape with preserved late nineteenth and early twentieth century buildings. The State Board of Review met on May 17, 2014, in Austin to review the application.  The Office of Historic Preservation (OHP) received a matching $10,000 Certified Local Government Grant to hire a consultant to prepare the nomination. The nomination assessment was prepared by Brandy Harris, M. Kelley Russell, Lila Knight, Ryan Fennell, Nesta Anderson, and Karissa Basse. The $10,000 grant was matched in-kind by the OHP through the execution of a survey in the West Sector Plan area of the city.  OHP staff members involved in the survey included Adriana Ziga, Kay Hindes, and OHP volunteer Brenda Laureano.  The nomination will now move forward to the National Park Service.

last-farm-coverI never met Max and Minnie but was offered the opportunity to delve into their lives deeply when retained by the Max and Minnie Tomerlin Voelcker Fund to tell their story. The resulting book, Last Farm Standing on Buttermilk Hill, in turn led me to even more concentrated involvement in the history of the dairy farms that surrounded the Voelcker Farm on San Antonio’s near north side.

As I struggle to uncover bits and pieces of the lives of their neighbors from the Coker Settlement resting beside them in the Coker Cemetery and weave them together into a new book for the Coker Cemetery Association, I am grateful for that introduction to Max and Minnie. Getting to know them and digging into the past of the Coker Settlement has given me incredible respect for the tough-skinned early residents farming on the outskirts of San Antonio.

Life was hard for those pioneering farmers, and it’s wonderful the Voelcker Farmstead has been spared as testimony of the city’s vanishing rural heritage.

deer
Coker Cemetery

Biannual roundup of what you are reading on this blog

You have done it again. No wonder I wander around flitting arbitrarily from subject to subject. My readers flit, too.

During the past year, you have remained as Alamobsessive as I, particularly focusing on the guns  Land Commissioner Jerry Patterson let be drawn in front of the Alamo. You joined me in remembering my father-in-law, George Spencer, and photographer Rick Hunter. You have demonstrated your interest in photography by two artists, Richard Nitschke and Sarah Brooke Lyons. You have let me take you traveling to San Miguel de Allende, and shown interest in the reign of Maximilian and Carlota in Mexico.

You refuse to let two old posts, one about David Sedaris’ “Nuit of the Living Dead” and one about Sandy Skoglund’s cheesy “Cocktail Party,” fade off of the top 12 list. It makes me particularly happy that you still show interest in the San Antonio Song and have given life to my true tale providing a ghost to inhabit Brackenridge Park.

The number in parentheses represents the rankings from six months ago:

  1. Please come and take them away from San Antonio, (1) 2013

    “They say Sam Maverick forged the bell for St. Mark’s from a cannon used during the Battle of the Alamo. If only the concept proved contagious….” Postcards from San Antonio – No. 12, “Peace be with you.” http://postcardssanantonio.com/other-themes.html
  2. George Hutchings Spencer, 1923-2013 (3), 2013
  3. The State surrenders the Alamo; Run for Cover, (4) 2013
  4. Richard Nitschke: Seeing Agave in a Different Light, (8) 2013
  5. Please put this song on Tony’s pony, and make it ride away (10), 2010
  6. Sarah’s faces more than a thousand times better, (11) 2013
  7. The Madarasz Murder Mystery: Might Helen Haunt Brackenridge Park?, 2012
  8. “Nuit of the Living Dead” (9), 2010
  9. Postcard from San Miguel de Allende: Sun rises again at La Aurora, 2014
  10. The Tragic Rule of Maximilian and Carlota in Mexico, 2014
  11. Cheez Doodles as Art (12), 2011
  12. Rick Hunter lives here. And many other places., 2013

Thanks for hanging out here some and for giving me permission to keep on rambling on about whatever I’m currently pondering.