Postcard from Burgos, Spain: Counting on forgiveness at the hour of death

Above: A putto cradles a skull in the Chapel of Santa Ana in the Cathedral of Saint Mary of Burgos.

“Pray for us sinners now and at the hour of our death.”

Growing up Catholic in the United States seems to bear little resemblance to the experience in Europe. Even the basic images in a place like Star of the Sea in Virginia Beach are more than an ocean apart from what surrounds church-goers in an ancient church of Europe – for example, the Cathedral of Saint Mary of Burgos, where these photographs were taken.

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Postcard from Zaragoza, Spain: Competing patron saints and cathedrals, plus some miracles

Above: La Basilica de Nuestra Senora del Pilar is on the left while La Seo de Zaragoza anchors the far end of the plaza.

Although conquered by The Battler, Alfonso I (1073-1134), the Moorish rulers of Zaragoza left rich architectural contributions in their wake. The main mosque was an impressive one, so The Battler opted for adaptive reuse, making alterations for Christian purposes and consecrating the new church in the name of San Salvador in 1121.

The Battler’s predilection for war unfortunately extended to his life with his wife, with no heirs produced from the contentious marriage. Leapfrogging over the resulting confusion following Alfonso I’s death, Ramon Berenguer (1114-1162), the Count of Barcelona, was betrothed to one-year-old Petronilla of Aragon (1136-1173) in 1137. The toddler’s father, known as Ramiro II (1086-1157), transferred the rule of the kingdom of Aragon to his new son-in-law so he could retire to a normally peaceful monastic life. As this post is not really about Ramiro the Monk, we will not dwell on his priestly qualifications that include the legend of his beheading of a dozen nobles who opposed him and using the head of their leader as the clapper for the bell of Huesca.

Demonstrating his dedication to the marriage-acquired territory of Aragon, Ramon had much of Zaragoza’s mosque/Catholic church razed to begin construction of a Romanesque replacement in 1140. This church became the home for coronations of Aragonese kings, and, with the papal appointment of an archbishop of Zaragoza in 1318, a cathedral.

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Postcard from Zaragoza, Spain: Alma Mater and the Countless Martyrs

Above: Reliquaries in the Alma Mater Museum

After Aragon King Alfonso I (1073-1134), the Battler, conquered the Moors (prior post), construction began immediately on a cathedral atop a former Mosque. The king gifted the archbishop with adjacent land for his headquarters.

When Aragon King Alfonso II (1157-1196) ascended to the throne, he had other plans. The Aljaferia Palace was not grand or comfortable enough for him, so he began major remodeling and additions to this prominent location. Upper floors in the Mudejar and later Renaissance traditions reflect the styles favored by subsequent royals of Aragon and Spain.

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