Postcard from San Antonio, Texas: Reclaiming creek as urban asset

Above: “Restoration,” mural by Kathy and Lionel Sosa

Once upon a time, I logged a lot of hours at City Hall, sometimes parking on a surface lot behind it. Behind it meaning on the other side of an unrecognizable creek. An ugly footbridge, hemmed in by chained-link fencing, crossed a narrow trash-filled concrete-walled ditch – San Pedro Creek. A place creepy enough to leave me feeling I should pay an extra dollar or two to park in front of City Hall.

Above: 1889 photograph of San Pedro Springs, Austin History Center via Portal to Texas History

Development and insensitive flood-control projects had destroyed what had once been a healthy spring-fed creek.

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Postcard from Morelia, Mexico: Festival marks walls with color

Above: Part of a community art project of Color a Mexico

Sharing snatches of artwork brightening up walls and doorways we encountered while meandering the streets of Morelia. Some of these murals resulted from Morelia’s Festival Internacional del Arte Urbano in 2022. These photos were taken prior to the fall 2023 event, so presumably there is a fresh crop greeting visitors now.

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Postcard from London, England: From conquer-phobia furniture to man-skirts

Above: Interior of The Design Museum

A basement space in the Victoria & Albert Museum was the first home to Boilerhouse, a showcase for modern design that outgrew that space and another subsequent one before transforming the 1960s Commonwealth Institute into today’s The Design Museum on Kensington High Street. The most striking feature of the post-war modernism landmark originally designed by RMJM is its tent-like parabolic copper roof. The dramatic interior rehabilitation of it was completed in 2018 under the direction of John Pawson.

Exhibitions change, but I’m going to mention two. The first is “Antifurniture,” handsome wooden sculpture designed by performance artist Fyodor Pavolov-Andreevich and BoND Architecture to engage interaction, to invite one to “inhabit” the works. By “one,” I definitely mean someone other than me. Among the phobias the artist strives to help combat are agoraphobia, atychiphobia, demophobia, gelotophobia, acrophobia and basophobia.

Sometimes when we feel overwhelmed we may ignore the problem before us and metaphorically ‘bury our heads in the sand.’ This reaction can cause anxiety and encourage us to avoid the problem; Rock-n’-Desk, however, invites you to confront it.”

Fyodor Pavlov-Andreevich
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