Category: Written Word

Sisters like two peas in a pod: Perhaps they shared a wedding dress as well

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agnes and william marmon

Above, William C. Marmon wed Agnes Zacharriah Autry in a double wedding ceremony in the Coker Church in 1899. Photograph courtesy of Virginia Heimer Ohlenbusch from Haunting the Graveyard: Unearthing the Story of the Coker Settlement

In the late 1800s, itinerant photographers wandered the Texas countryside, making a living talking hardworking farming families into the need to document their lives on their homesteads. The result was that neighbors often had their farmstead portraits taken during the same time period.

In Haunting the Graveyard: Unearthing the Story of the Coker Settlement, published by the Coker Cemetery Association in 2019, I organized the book by a combination of themes and timelines. This meant that I used most of the itinerant farm photos in a chapter describing the efforts of those making a living in the area of San Antonio known as Buttermilk Hill. But this also meant my favorite details in two of these remained unlinked in the book.

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A place to seek miracles

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Above, Chapel of the Miracles, photo by Michael Cappelli, 1984

This is, in the words of the Abbe Dubuis, ‘a place of frequent emotions.’

Julia Nott Waugh, The Silver Cradle, 1955
Close-up of El Senor de Los Milagros from Michael Cappelli’s 1984 photo

El Senor de los Milagros, or The Lord of the Miracles, is suspended majestically above an altar in a small privately-owned chapel on the near west side of town. La Capilla de los Milagros stands somewhat in isolation on what was Ruiz Street, now Haven for Hope Way, severed from downtown by IH-10.

The age and origin of this crucifix are part of its mystery. In 1907, Charles Barnes wrote in the San Antonio Express that it was brought to San Antonio by Spanish friars as early as 1716 and placed in San Fernando Cathedral. In a 1928 edition of the Dallas Morning News, Vivian Richardson claimed its origins were local, that “it was revealed to a Mexican that he should make a crucifix for San Fernando Mission.”

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A pair of Marys’ distinctive impressions of city landmarks

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bonner keating concepcion

Above, Mission Concepcion de la Purisma by Mary Bonner (left) and by Mary Aubrey Keating (right)

‘I had always dabbled a little in artistic things in a sort of boarding school fashion, but I had certainly never taken anything I had done very seriously.’

Mary Bonner (1887-1935) in a 1926 interview by Penelope Border in the San Antonio Express

Mary Bonner, well known etcher, in conjunction with her sister, Emma Jane, has a studio on Agarita Street. There, period furniture, rare objets d’art, first editions, and, of course best of all, etchings my be had. ‘Mary’ has won many medals and decorations from the French Government for her etchings. The Bonner place… is set in an ancient walled garden, hemmed in by giant cypress trees. In the garden there are many paths. One leads to Mary’s studio, another to an underground part of the Shop, known as the Caverns…. Beyond this, is the room for the gigantic etching press where the artist spends most of her time.

Mary Aubrey Keating (1894-1953) described her fellow artist in Keating’s 1935 guide, San Antonio: Interesting Places in San Antonio and Where to Find Them.
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