Jimmie Draper: Rain, shine, sleet, heat

mariachi-festival

This post needs a soundtrack. Nothing would be more fitting than San Antonio high school students belting out mariachi music, so please play this while you read. For Jimmie.

1968. I think James Miller Draper, Jr., was there when the Paseo del Rio Association started, raising his hand to volunteer to do whatever it took to get attention for the River Walk.

It might be hard to imagine now, but the few businesses opening along the river were desperate. There were times when the only live things walking down the sidewalk in the heart of the river bend were pigeons. Things were so dull, there was even a night when some bored unnamed river operators shot fish. With guns.

Jimmie served as president of Paseo del Rio Association twice, in 1975 and 1984. But assumption of that responsibility is minor compared to his continual presence through thick and thin for more than four decades.

The coldest mornings in December always were the Fridays we placed luminarias along the river’s banks. Bob Buchanan made the coffee, and Jimmie brought the doughnuts. Without fail. For decades. Nancy Hunt, current executive director of Paseo del Rio Association, said that even last year Jimmie rode the bus downtown to deliver sweets to those delivering bags to the river’s banks.

No weather forecaster was more accurate than the first night of the annual Great Country River Festival the first weekend in February. Guaranteed sleet. Jimmie was always there.

The event closest to his heart always, though, was the Fiesta Mariachi Festival. It was his. I believe he was the first and only chair of the festival for more than 40 years. He threatened to retire one year. Paseo even threw him a party to recognize chairing the event 25 years or so. That just made him sentimental and mushy about the whole thing, so he kept coming back. Every year, he gave up four nights of Fiesta to meet the high school students boarding the barges. Without fail. Until this past year. Being 86 is a pretty good excuse for easing up a bit.

Generally Jimmie had the patience of Job. The time he really lost it, although not publicly, was at City Hall. The Paseo’s contract with the city in the late ’70s required we continually appear before Council to request approval for each event.

It should have been routine, but poor Mayor Lila Cockrell had a rather rowdy bunch to try to keep corralled. Those were colorful times.

I could almost see the hairs on the back of Jimmie’s neck bristle as a councilman went off on a rant about gringos being in charge of putting on a mariachi festival.

Then there was without a doubt the most incredible remark I ever heard at City Hall. Councilman Joe Webb interrupted the diatribe: “Mariachis. Cucarachas. What’s the difference? They’re all the same to me.”

Councilman Bernardo Eureste leapt to his feet and challenged Councilman Webb to duke it out. The scuffling councilmen went out in the hall to settle things, but were restrained before striking any serious blows.

Permission to stage the admission-free festival was granted, but, on the way out of City Hall, Jimmie said that was it. He would never go back there and be insulted like that again.

But he kept on volunteering again and again and again. Rain, shine, sleet, heat. No matter.

Gringo Jimmie might not have been known for shouting loud gritos in public, but, in those early years working with Belle San Miguel, his belief in bolstering the talents of young musicians gave fledgling programs in public schools a stage on which to shine. Before there were statewide competitions, the Mariachi Festival was the event inspiring students to strive for professionalism in their performances. Jimmie loved to see students board the barges, proudly wearing their festival medals from each year they had participated.

This spring will bring the 44th annual Fiesta Mariachi Festival. Jimmie was there for 42.

luminaria

Light a luminaria for Jimmie this holiday season. If it goes up in flame, it’s his unselfish and generous soul flying up to heaven.

Richard Nitschke: Seeing Agave in a Different Light

When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not….

I decided that if I could paint that flower in a huge scale, you could not ignore its beauty.

Georgia O’Keeffe

The striking beauty of the agave is not as hard to overlook as a petite flower, but four-foot by four-foot photos do command attention.

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Long-prized in Mexico for both medicinal uses and for producing Tequila, the plant has earned great respect in South Texas for its ability to withstand droughts.

Although not opposed to Tequila consumption, Richard Nitschke views the agave differently. He photographs the ones on his Hill Country ranch over and over under varying conditions, pushing the limits of light by shooting into the sun, overexposing and underexposing in order to release compositions hidden within. His focus on light and design at times makes his images border on the abstract.

Two of his agaves won awards in the Paris International Fine Art Photo Competition, and two of his works are included in the permanent collection of the Bibliotheque Nationale de France.

“Agave” opens for a three-day run at the 110 West Olmos Gallery from 6 to 9 p.m. on Thursday, December 12. The photos also can be viewed from 10 a.m. to 6 p.m. on Friday, December 13, and from 10 a.m. to 3 p.m. on Saturday, December 15.

Prior to making his living in commercial construction during his child-rearing years, Richard studied ceramics with Steve Reynolds at UTSA and worked in the silkscreen studio at the Guadalupe River Ranch. He also is a bluesman, singing lead vocals and playing rhythm guitar and the harp with the Mister in the After Midnight Blues Band.

Catch the art, and then make time the following weekend to catch the band playing at Gustav’s Bier Garten behind Magnolia Pancake Haus on Huebner from 8:30 to 11:30 p.m. on Friday, December 20. The doctor temporarily has grounded Claytie’s warbling, but Ginger Pickett will be filling in with the kind of holiday blues you want to catch.

Please come and take them away from downtown San Antonio

You spent a year planning your wedding. Your ceremony will be Saturday in the church whose bell Sam Maverick had forged from cannon from the Alamo. Your attendants will line the sidewalk leading from St. Mark’s under the canopy of trees in Travis Park, showering guests with rose petals as they walk to the reception in the historic St. Anthony Hotel.

Whoops. Sorry you didn’t get the word.

Travis Park will be filled with approximately 1,000 armed men on Saturday afternoon.

But don’t worry. Your guests should feel really safe because these men with shotguns and rifles are really responsible. I mean, out of 1,000, what are the odds one would be a little mentally imbalanced or trigger-happy?

Of course, part of their plan is to try to antagonize the San Antonio Police Department by skirting or outright violating city ordinances and daring the police to arrest someone.

This is a goal because then they can howl all over the internet and sue the city. They want to show everyone San Antonio police are unreasonable in their attempts to make the rest of us unarmed people feel safe, those of us who might fear the one out of 1,000.

Alamo Plaza is such a small area of San Antonio in which to stage a protest – Come and Take It, the newest event added to San Antonio’s festival schedule. Yes, there will be great photo ops in front of the Alamo, but staying put in one place might not make the police nervous enough to arrest someone for carrying a weapon in a threatening manner.

Yes, the demonstrators will maintain an armed presence in Alamo Plaza from 10 a.m. to 2 p.m., but a large contingent of these law-abiding citizens will break away for Travis Park at 12:30 p.m., according to Murdoch Pizgatti of Don’t Comply.

There they will have stump speeches, revving up the crowd against the tyranny of police who would respond to a 911-call by some citizen who found it alarming when one of the Come-and-Take-It crowd walked into a Starbucks with a rifle or came and sat down with a trusty shotgun in a crowded movie theatre. Right there, in Travis Park, under what Murdoch calls “the statue.” You know the one. The Confederate monument.

If no one has been arrested yet, the group will then head for a little downtown “tour” out front of one of the police stations. And then back around through downtown to wind up the whole family friendly event in front of the Alamo.

Not content to be able to take their guns hunting, to keep them bedside to guard against intruders or in hand on a ranch in case of rattlesnakes, they want to brandish them downtown. They feel insecure unarmed, like Linus without his blanket. Because for these men “the front line is everywhere.”

In my mind, the Come and Take It guys have stolen downtown from me and thousands of others Saturday.

Use your guns to hunt and protect your own property; don’t bring them into our shared public spaces – you know, parks and such maintained by tax dollars many of you view as money stolen from you.

Personally, I want to thank all the members of the San Antonio Police Department who put their lives on the lines for us everyday, to make sure the rest of us can work and play downtown. You should not be harassed the way you will be tomorrow, and particularly not by the Land Commissioner of Texas. the self-proclaimed “#1 gun guy in Texas” who longs for a time when kids are free to take antique guns to school for show and tell.

“They say Sam Maverick forged the bell for St. Mark’s from a cannon used during the Battle of the Alamo. If only the concept proved contagious….” Postcards from San Antonio – No. 12, “Peace be with you.”