Category: Mexico

Postcard from Queretaro, Mexico: Queen of the night, monarch gems and more

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Colorful postage stamp featuring monarch butterflies, designed by Michael Parsons in 1988.

Above: Night-blooming cereus, or Queen of the Night, in the garden of La Casa de los Ladrillos

Late this past summer in Queretaro, shimmering jade-green pendants ringed with golden beads clung to patio walls of a casa particular where we stayed with a friend. Gleaming gems sheer enough to reveal the treasures growing within – golden wings emerging to flutter and feast on flowers before joining the millions migrating to nearby Michoacan.

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Postcard from Norfolk, Virginia: ‘Nobodies’ somebodies at the Chrysler

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Above: One of Colectivo Subterraneos’ “Nobodies” on exhibit at the Chrysler Museum of Art through May 11.

Oaxaca has emerged as a global hub for contemporary printmaking, fueled by the medium’s rich history in Mexico and the city’s vibrant artistic heritage. Internationally renowned Oaxacan artists, most notably Rufino Tamayo and Francisco Toledo, invested heavily in developing their native city’s cultural infrastructure. Building on this foundation, numerous printmaking workshops now thrive in Oaxaca, fostering an environment of experimentation and collaboration.”

Curator’s notes, “Oaxaca Central: Contemporary Mexican Printmaking”

Unless you are new to my blog, you know I wander streets far and wide prowling for street art. I’ve been pursuing Colectivo Subterraneos‘ “Nobodies” around corners in Oaxaca, Mexico, during numerous visits over the past few years.

When I went back to the land where I grew up, Virginia Beach, to visit my sister and her husband in early March, I was surprised to encounter a fresh crop of migrating “Nadies” peopling gallery walls in Norfolk’s Chrysler Museum of Art as part of “Oaxaca Central: Contemporary Mexican Printmaking.”

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Postcard from Queretaro, Mexico: MACQ confronts contemporary topics

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Above: “Waiting Has a Price,” Rodney Zelenka, 2021

Visiting this past summer, I found myself awestruck by the contemporary political and social issues tackled by exhibitions at the Museum of Contemporary Art of Querétaro (MACQ). Although housed within the walls of an ancient convent, the museum’s international art is far from the conservative colonial paintings long associated with the city.

“Incomprehensible Realities,” a show by Panamanian artist Rodney Zelenka (1953-), delivered the universal plight of migrants to the forefront with the powerful precision of a karate chop, to be expected from a painter with a Black Belt. Many of his surrealistic works featured suitcases, shoes, hats – things that get left behind – executed in bright primary colors normally associated with happiness set against a backdrop of gray splotches resembling abstract gravestones.

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