Category: Mexico

Postcard from Norfolk, Virginia: ‘Nobodies’ somebodies at the Chrysler

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Above: One of Colectivo Subterraneos’ “Nobodies” on exhibit at the Chrysler Museum of Art through May 11.

Oaxaca has emerged as a global hub for contemporary printmaking, fueled by the medium’s rich history in Mexico and the city’s vibrant artistic heritage. Internationally renowned Oaxacan artists, most notably Rufino Tamayo and Francisco Toledo, invested heavily in developing their native city’s cultural infrastructure. Building on this foundation, numerous printmaking workshops now thrive in Oaxaca, fostering an environment of experimentation and collaboration.”

Curator’s notes, “Oaxaca Central: Contemporary Mexican Printmaking”

Unless you are new to my blog, you know I wander streets far and wide prowling for street art. I’ve been pursuing Colectivo Subterraneos‘ “Nobodies” around corners in Oaxaca, Mexico, during numerous visits over the past few years.

When I went back to the land where I grew up, Virginia Beach, to visit my sister and her husband in early March, I was surprised to encounter a fresh crop of migrating “Nadies” peopling gallery walls in Norfolk’s Chrysler Museum of Art as part of “Oaxaca Central: Contemporary Mexican Printmaking.”

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Postcard from Queretaro, Mexico: MACQ confronts contemporary topics

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Above: “Waiting Has a Price,” Rodney Zelenka, 2021

Visiting this past summer, I found myself awestruck by the contemporary political and social issues tackled by exhibitions at the Museum of Contemporary Art of Querétaro (MACQ). Although housed within the walls of an ancient convent, the museum’s international art is far from the conservative colonial paintings long associated with the city.

“Incomprehensible Realities,” a show by Panamanian artist Rodney Zelenka (1953-), delivered the universal plight of migrants to the forefront with the powerful precision of a karate chop, to be expected from a painter with a Black Belt. Many of his surrealistic works featured suitcases, shoes, hats – things that get left behind – executed in bright primary colors normally associated with happiness set against a backdrop of gray splotches resembling abstract gravestones.

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Postcard from Oaxaca: Spots to savor and maybe crunch a few bugs

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Above: El Amu created a fresh-from-the-farm atmosphere in town.

Spotlighting restaurants in alphabetical order sometimes launches into non-native cuisines; Boulenc is an example of this.

The French-style bakery never fails to impress, and it’s a go-to spot to snag a jar of just-peanuts crunchy mantequilla de cacahuete. Salads are sharable, and the fired-up pizza oven turns out pies we crave after a week of more traditional dishes. Plus, a nice affogato – gelato drowned in espresso – for dessert. The restaurant also has a cafe in the Jalatlaco neighborhood, Becino, that we did not visit.

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