Biannual Roundup: A stilled keyboard and passport-less boulevardiers

Above: Who knows what happened to the Candy King’s secret recipe for pecan pralines that filled this box a century ago?

Although no comments indicate followers suffer from withdrawal as my blog has remained silent the past two months, surely you have missed posts a little?

During the past 12 months, Alamobsessive posts continue to attract interest, as do ghosts and updates from our wanderings. Particularly pleased that readers seem to enjoy some of the side stories – “Candy King” and “Rabbit Holes” – gleaned from the pages of An Ostrich-Plumed Hat, and Yes, She Shot Him Dead.

The 1911 filming of “The Immortal Alamo” at Hot Wells Resort was among the high points of San Antonio’s efforts to become an industry star.
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Postcard from Toulouse, France: Images lingering far behind departure

These eclectic postcards are from the fall but are slow to be delivered due to an unwillingness to admit the trip had ended with our next one cancelled because of this stubborn virus.

Feeling secure enough now that we will take flight somewhere within the next month so can finally bid au revoir to Toulouse.

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Postcard from Toulouse, France: Church-hopping, so genuflect quickly

Above, Altar for the Privileged in the Basilica of Notre Dame de la Daurade. Is the skull an invitation to enter or a dire warning not to dare trespass within? I elected not to test it.

Time for a final round of visits to churches in Toulouse. First stop is the Basilica of Notre Dame de la Daurade. The Virgin Mary’s “golden” designation came from shimmering mosaics in the original 5th-century church adjacent to this site. The church’s prized statue of the Virgin was stolen during the 15th century and replaced. Particularly revered by pregnant women, the figures of the Virgin and Child became so blackened by the smoke of votive candles lit by supplicants that the Virgin became known as the Black Madonna, or La Vierge Noire, by the 16th century.

Riverside, the Black Madonna’s original home was demolished in 1761 for the construction of wharves. Rebuilt, a new church served as the Virgin’s temple for only a short time before the 1789 outbreak of the French Revolution. Revolutionaries repurposed the church as a tobacco factory and set the icon ablaze in the Place du Capitole, reducing the treasured statue into a pile of ashes.

Continue reading “Postcard from Toulouse, France: Church-hopping, so genuflect quickly”