Author: postcardsfromsanantonio

Postcard from Bilbao, Spain: Heart of Basque Country, Vitoria-Gasteiz

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Above: Detail of mosaic portion of “Eskuz Esku” in Basque, or “Hand to Hand.” Lead artist John Pitman Weber and assistant Alicia Vallejo Sanz, a 2010 project of Itinerario Muralistico of Vitoria-Gasteiz.

While Bilbao with the Guggenheim and San Sebastian’s Running of the Bulls have made those cities well known in the United States, Vitoria-Gasteiz is the actual seat of government of Basque Country. With a population of about 250,000, the Basque capital lies only 40 miles outside Bilbao. The hyphenation reflects the duality of Spain’s sometimes dueling cultures: Vitoria is Spanish while Gasteiz is the Basque half of its name.

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Postcard from London, England: Creative kitchens debunk flawed stereotype

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Above: Watermelon, chickpea and feta salad at Ceru in South Kensington

There were two reasons why I waited so long to visit London. The first was that it seemed like cheating on getting a foreign experience when the natives all speak English. That excuse no longer applies, as most people we encounter while traveling in Europe speak fluent English, with an American accent due to all the Hollywood films they devour. British accents challenge my comprehension more than English spoken elsewhere.

The second bias I possessed was food. No mushy peas, please. That proves my ignorance. Today’s London offers so much more than the old standard pub grub I feared I would have to eat every single meal. Why did I ever wait so long to become enlightened?

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Postcard from San Antonio: Brothers share maximalist hospitality hints

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Above: A place setting of “Le Point de Bascule,” an installation by the de la Torre Brothers as part of their exhibition, “Upward Mobility,” at the McNay Art Museum

An appetizing invitation from the de la Torre Brothers you can’t refuse? First entering the McNay’s gallery containing their almost-all-media dinner-party installation, “Le Point de Bascule,” you feel as though the guests must have stepped away from the table for a smoke on the patio after a wildly fabulous meal. Taxidermy around the walls make it feel oddly at home in big-game-hunting Texas.

We’re repulsed by this opulence. But we’re also thinking: ‘God, I wish I’d been invited to this party.’”

Artist Einar de la Torre, interviwed by Patricia Escarcega for an article in The New York Times

Above: The dining room table in “Le Point de Bascule,” a multimedia art installation by the de la Torre Brothers

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