Postcard from Amsterdam, Netherlands: Making room at the table

Above: House of Vineyard exhibition reacted and related to historic artifacts in the Abraham and Louisa Willet-Holthuysen House Museum.

Historically, the voices and experiences of Black and Brown femme queens have often been marginalized. But their resilience, courage, and unyielding spirit have paved the way for progress both off and on the runway…. In the dining room, we honor five queens who not only fought for a seat at the table, but created their own.”

House of Vineyard curator notes for temporary contemporary art exhibition

Keeping a house museum fresh, appealing and relevant to diverse audiences is extremely difficult, speaking as someone who had chaired a committee running one. I wish my visit to the Abraham and Louisa Willet-Holthuysen House Museum, a house built on the Herengracht Canal in 1685, had been years earlier.

Instead of keeping its collection static, the house museum stimulates repeat visitation by weaving thoughtfully curated contemporary art throughout its rooms. Often times, house museums are filled with gray-hairs, but not everyone there had our same color hair. The House of Vineyard’s “Grand March: A Historic House through a Ballroom Lens” attracted a diverse, youthful group. And it worked. All ages appeared interested in both the old and the new.

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Postcard from Istanbul, Turkey: Tooting horn about restitution of artifacts

Above: Stag rhyton, Milas, Turkey, 400 BCE, displayed in the Istanbul Archaeological Museum

The elegant stag rhyton pictured above must have been quite a status symbol for its owner in ancient Turkey. Today’s value of the combination wine aerator and drinking vessel, $3.5 million, probably made it even more so for the billionaire American collector who acquired it without verifiable provenance.

For decades, Michael Steinhardt displayed a rapacious appetite for plundered artifacts without concern for the legality of his actions, the legitimacy of the pieces he bought and sold, or the grievous cultural damage he wrought across the globe. His pursuit of ‘new’ additions to showcase and sell knew no geographic or moral boundaries, as reflected in the sprawling underworld of antiquities traffickers, crime bosses, money launderers, and tomb raiders he relied upon to expand his collection.”

Cyrus Vance, Jr., District Attorney of Manhattan, December 2021 Statement

Now it is part of a growing collection of repatriated stolen antiquities proudly showcased in the Istanbul Archaeological Museum.

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Postcard from Oaxaca, Mexico: Reflections of vivid colors and fluttering flags

At right: Arbor Day first-day cover illustrating the immensity of the landmark Montezuma cypress tree in Santa Maria de Tule, six miles outside of Oaxaca, in the collection of Museo del Filatelia de Oaxaca

Having cast my ballot, I need a break from the news to reflect on anything but the election. So I’m offering both you and me a pictorial distraction from a trip earlier this year to Oaxaca.

Continue reading “Postcard from Oaxaca, Mexico: Reflections of vivid colors and fluttering flags”