Concrete Artisans Leaving Lasting Imprint in San Antonio

SAY Si, where art is spoken.

Z. Smith ’12

Conventions come and go. San Antonians barely notice their arrivals and departures. But professional artisans are getting a head start to ensure we remember the Concrete Decor Show, February 20-24.

This past week, they have been working with students to transform bare concrete around the entrance of SAY Si into a major display of the artistic side of the craft. A “river” will soon spill out of the building and over the entry ramp:

From the double-glass doors of the entrance, a micro-topping in vivid tones of blues and greens will progress down the sidewalk and descend a vertical wall to terminate in the landscaping. A team of national trainers from Miracote and Butterfield Color, aided by local concrete contractors, will install an earth-toned stampable overlay and add pattern and texture adjacent to the river mural. SAY Si students will add the finishing touches. They will illustrate native flora and fauna along the faux river bank, and permanent inscriptions of words the students find inspiring will punctuate the surrounding areas.

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Concrete cosmetology – 5,000 square feet of it – will continue at SAY Si during the conference itself. According to the show coordinators:

Project teams, pairing industry experts with workshop participants, will create the ultimate makeovers of old, worn and unattractive concrete surfaces. Each area presents a building problem or unique challenge that the team will solve using products donated by leading architectural and decorative concrete manufacturers….

Inside SAY Si, workshop participants will apply a polyaspartic coating in the public gallery where the works of SAY Si students are exhibited. Old concrete floors in several studios where classes are held will be renovated. Two different techniques will be used: grinding and polishing an existing concrete slab and resurfacing another area with an innovative new polishable overlay technology. A special metallic epoxy coating will be applied on the floor in the Black Box theater….

Board member Susan Toomey Frost can barely contain her excitement over this major focus on a sometimes overlooked craft that is part of San Antonio’s heritage. Jon Hinojosa, artistic and executive director of SAY Si, is thrilled over the makeover because:

This project will not only showcase creative concrete master craftsmen, but allow our students to participate and learn a new art form.

And:

SAY Si is a family connected through art.

S. Ramos ’11

Update on February 22, 2012:

In addition to the ongoing workshops dramatically changing the look of SAY Si, Thom Hunt and Mark Whitten are leading a workshop sculpting a realistic-looking Acrocanthosaurus dinosaur at Booth 1309 at the Concrete Décor Show at the Convention Center.

Members of RAT, or Rock Carvers, Artists and Themebuilders, built the basic form in advance of the workshop, during which participants learn how to sculpt the details and add texture. 

After the conference, Mikey, the 10 ½ foot tall dino measuring 29 feet from nose to tail, will be a gift destined to become a landmark on the south side of the Witte Museum adjacent to an entrance to Brackenridge Park.

Update on February 23, 2012:

Click here to see a slideshow of SAY Si’s new waterfall fountain and flooring and the birthing of the dino, actually named Tally, destined for the Witte.

Is this a picture worth a thousand words? 99 cents?

Another Say Si Small Scale Art Auction approaches, which reminds me I have been blogging away for almost a year. I wanted to make a statement.

At the end of 2009, I decided to mount a visual protest against the visual clutter surrounding Alamo Plaza. A picture’s worth a thousand words.

Had not Delacroix’s unveiling in Paris in 1824 of his monumental “Massacre of Chios” swayed public opinion in Europe toward intense loathing of the Turks for slaughtering 10,000 Greeks? If the painter had chosen instead to depict the earlier savagery of the Greeks at Tripolitsa, might Europe have supported the Turks instead?

Inspired to try to motivate someone in the world to clean up Alamo Plaza, I assembled two of the ugliest collages ever created by combining photos snapped around the plaza.

Well, to put it mildly, Delacroix was more successful. Maybe my works are too small in scale. Maybe it’s because I have no bare-breasted women up front and center. Okay, I admit it. You can’t have known Delacroix personally; yet you know I’m no Delacroix.

So I switched strategies to attack by blog. The press is a powerful weapon.  After much haranguing, not much progress to report. Okay, I admit it. I am no great poet either.

Alas, even Lord Byron thought the sword mightier than the pen and found himself among the inspired volunteers traveling in resplendent uniforms in 1824 to join Prince Mavrocordato at Missolonghi. Byron wrote:

                    The sword, the banner, and the field,
Glory and Greece, around me see!
The Spartan, borne upon his shield,
Was not more free.

Awake! (not Greece–she is awake!)
Awake, my spirit! Think through whom
Thy life-blood tracks its parent lake,
And then strike home! ….

If thou regrett’st thy youth, why live?
The land of honourable death
Is here–up to the field, and give
Away thy breath!

Byron perished soon after, and most of Europe then seemed to pay attention to his call to support Greece.

I’m just not willing to sacrifice my life for signage. So I’ve come full circle and have donated “We’ve Lost the Alamo” for Say Si to include in the benefit auction on February 25.

My initial thought was that someone would see it and be so offended he or she would buy this print and insist it be hung at City Hall. If first impressions are important, why is this what we show more than 2.5 million visitors every year? Maybe that person should order another print for the office of the Convention and Visitors Bureau to show them that no matter how sleek the ads are trying to sell San Antonio this is the reality of what is here. Why the pair of prints should be in the office of every city council representative, every member of the Historic Design and Review Committee, in the home of every officer of the Daughters of the Republic of Texas and every member of the board of directors of the San Antonio Conservation Society and in every office at the Texas State Historical Commission. Governor Rick Perry himself should have to look at this every single day. I never should have limited this edition of prints to only 25.

Okay, that is not going to happen. I decided to make my point, though, about the general appearance of Alamo Plaza by valuing the price of the print as that of the frame only – $20. As I drove off, I thought I should have requested its value be 99 cents.

As I felt guilty about using Say Si’s fundraiser as a political forum, I donated two more marketable prints based on “San Antonio Song” to make up for “We’ve Lost the Alamo.”

And, fortunately for Say Si, a multitude of artists stepped forward once again to contribute art you actually will want to have in your home. The work is all up for preview prior to the auction, or view it online in advance. Call 210-212-8666 to reserve a ticket for Friday, February 25 – $40 per person in advance, or $50 at the door.

Someone at Say Si felt sorry for the lowly valued print, “We’ve Lost the Alamo,” and decided to up its value to $45. Guess it’s coming back home with me to inspire me to keep typing. Here go another 700 words….

February 26, 2011, Update: Even “We’ve Lost the Alamo” found a new home, and the buyer really got the message without having to read the 700 words above.

Don’t Procrastinate in Viewing Pair of Art Exhibits

It’s a long drive from downtown out to David Shelton Gallery, so, despite being interested in several shows, I procrastinated visiting for a long time. 

A group show, “Good and Well,” featuring works by Aaron Hans Forland spurred me to action.  Some of Forland’s relatively anonymous unofficial public art installations might have brought a smile to your face as you stopped at traffic lights downtown along Durango; you encounter them unexpectedly on the trap doors at the base of traffic light poles.  It was great to see his talents corralled inside and uptown, and I fell in love with Mimi Kato’s works.  Procrastination in blogging about the Shelton show paid off; Ben Judson wrote an extensive review for San Antonio Current.

Found it a lot easier and a whole lot less time-consuming to walk over to the opening of Say Si‘s Biennial Exhibition that includes new works by Jeannette MacDougall.  Think there are still openings for her painterly retreat in France offered through the Southwest School of Art and Craft.

Update on August 14:  Aaron Hans Forland has a new website showcasing his work.