Postcard from Siracusa, Sicily: Sturdy columns of Greek temple recycled by several religions

Above: Façade of the Duomo di Siracusa, or Cattedrale della Nativita di Maria Santissima

The chapel where some of Santa Lucia’s relics, featured in a recent post, are housed in the Cathedral of the Nativity of Mary Most Holy. A statue of her reigns up high on its façade to the right of the Virgin to whom the church is dedicated. Up on the left is San Marciano of Siracusa with San Pietro and San Paolo flanking the entrance down below.

Over the past 2,000 years, the history of Saint Marcian of Syracuse has become somewhat muddied. One version is that he was a follower of Peter the Apostle, who dispatched him to Sicily to preach in the year 40. His conversion rate was so high that the ruling Romans deemed him dangerous, and he was put to death. San Marciano became known as the first bishop of the city and is the patron saint of the archdiocese.

The “new” façade of the cathedral dates from after the 1693 earthquake and reflects the style categorized as High Sicilian Baroque. But the rest of the building has much deeper roots. The site was occupied by a 5th-century BC temple of Athena, possibly constructed under Dionysius I. Thirty-six substantial columns surrounded the outer perimeter of the temple – columns so substantial they withstood the devastating earthquake and can still be viewed on the north side of exterior and within the cathedral itself.

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Postcard from Burgos, Spain: Counting on forgiveness at the hour of death

Above: A putto cradles a skull in the Chapel of Santa Ana in the Cathedral of Saint Mary of Burgos.

“Pray for us sinners now and at the hour of our death.”

Growing up Catholic in the United States seems to bear little resemblance to the experience in Europe. Even the basic images in a place like Star of the Sea in Virginia Beach are more than an ocean apart from what surrounds church-goers in an ancient church of Europe – for example, the Cathedral of Saint Mary of Burgos, where these photographs were taken.

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Postcard from Burgos, Spain: A ‘work of angels’

Above: Santiago, Saint James, stands guard under the eight-pointed star of the Spanish Renaissance lantern dome, cimborrio, of the Cathedral of Saint Mary of Burgos.

It seems more like the work of angels than of men.”

King Philip II of Spain (1527-1598)

King Philip II’s glowing description of the gleaming white dome that crowns the intersection of the horizontal arms of a cross with the main nave in the Cathedral of Saint Mary of Burgos seems appropriate. Designed by Juan de Vallejo and Francisco de Colonia, the octagonal dome was completed in 1568 to replace an earlier lantern, less than 50 years old, that collapsed rather spectacularly in 1539. The Latin inscription above Santiago at the base of the dome translates to: “In the midst of your temple I will praise you and give glory to your name because you do wonders.”

As the exterior of the Cathedral makes obvious, the interior’s tall golden altarpieces, soaring domes, choir, chapels and cloisters are overwhelming in scale.

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