Postcard from Rome, Italy: Rome’s first church and papal palace

With rumors spreading that the great fire that burned for six days in Rome in the year 64 was ignited to clear away existing structures for construction of his grand palace on the Palatine Hill, Emperor Nero (37-68) found a scapegoat. Christians must have started the fire. So Christians were hunted down and persecuted, with the gruesome brutality one might expect from an emperor who deemed even the lives of his mother and a wife or two disposable.

For the sake of explaining the featured photo of the top of the ciborium erected over the papal altar in the Archbasilica of San Giovanni in Laterano, we will mention only two of the emperor’s victims. Under the orders of the emperor, Saint Peter (30-64 or so) was crucified upside down, the position the martyr requested to demonstrate his humble position in relation to Jesus. Most of the remains of Saint Peter are believed to rest under the Basilica bearing his name. As a Roman citizen, Saint Paul the Apostle (5-64 or so) was afforded a “more humane” death sentence, beheading. Legend has it that his head bounced high three times after its separation from his body, with fountains of water spraying up for the ground at each bounce. His body was buried outside the walls, under what is named, appropriately, the Basilica of Saint Paul Outside the Walls. The head might have been retrieved later from amongst a pit of severed heads.

According to tradition, the golden reliquaries encasing the heads of Saints Peter and Paul peer out from that deep-blue golden cage at the top of the ciborium. There is no question that two skulls reside there side by side on high, but some wonder whether they are the actual ones that once rested on the shoulders of Peter and Paul. But that is just being nitpicky. The importance of these relics to the church is illustrated by the fact that only the Pope is permitted to say mass from this altar.

This Gothic-style feature was not added inside Saint John Lateran until the 14th century, the origins of the archbasilica, dedicated to both Saint John the Baptist (BC-28 or so) and Saint John the Evangelist (15-100), are much earlier. Much of the site belonged at one time to the Lateranus family, but a family member was accused of conspiracy by Nero, who used that as an excuse to confiscate the property. Later, Emperor Constantine I (272-337) donated it to the Bishop of Rome, the Pope. In 318, the site became the home of the first church built in Rome and the papal home under Pope Silvester I (?-335).

While the Baptistry dates from the early years, an earthquake in 896 destroyed much of the church. Strangely, this destruction coincided with the one-year reign of Pope Stephen VI. The pope was not fond of his predecessor, Pope Formosus (816-896). Not content to leave final judgment in the hands of Saint Peter at the gates of heaven, Pope Stephen VI had the body of Pope Formosus exhumed and propped up in the Lateran Palace. The corpse was put on trial on numerous charges of prior papal intrigue. Unable to mount much of a defense, Pope Formosus was deemed guilty. His papal robes were removed and replaced with those of a common man, and, before he was reburied, his three “blessing fingers” were chopped off and thrown into the Tiber.

The church was rebuilt after the earthquake, but a series of fires resulted in it having to be resurrected from ashes several times in the 1300s. The fires spared the 13th-century cloisters.

When the papacy returned from Avignon in 1377, the church again was restored but the papal residence was moved to Santa Maria in Trastevere. Pope Sixtus V (1521-1590) hired architect Domenico Fontana (1543-1607) for work on the church, and Pope Innocent X (1574-1655) hired Francesco Borromini (1599-1667) for more interior remodeling. Pope Clement XII (1652-1740) then commissioned Allessandro Galilei (1691-1737) to add the unusual façade fronting an enormous plaza anchored by a 455-ton obelisk.

The ancient obelisk, commissioned by Pharaoh Thutmose III (1481-1425 B.C.) for Thebes, attracted the interest of Emperor Constantine I. He ordered it shipped to Constantinople, but it was waylaid in Rome and erected in the Circus Maximus in 357 instead. Toppled and buried at some point, it was rediscovered, excavated and moved to the plaza by Sixtus V in 1588.

Postcard from Valencia, Spain: Failed again to spy the Holy Grail

Two years ago, we missed the clues secreted in the cup of the 12th angel over the 12th gate in the Cathedral in Cuenca.

But wait. Maybe Cuenca is not where the chalice was at Jesus’ place during his Last Supper was hidden away by the Knights Templar. Some claim it to be sitting right there in plain view in a chapel in Saint Mary’s Cathedral in Valencia where all can visit it.

An entrance fee replaced the mystery surrounding the Holy Grail hidden in Cuenca. We paid, but once again were as deprived in our quest as the knights of King Arthur. The chapel was closed temporarily.

Consecrated in 1238, the cathedral was built upon the remains of a Visigoth church that had been turned into a mosque. Although primarily Gothic in design, lengthy construction and additions led to portions spanning styles from Romanesque to Neoclassical.

While much of the interior is somewhat plain, the church does include two paintings by Francisco de Goya (1746-1828), including the pictured one of an exorcism in progress.

Oh, and then there is an arm. The arm purportedly was attached at one time to Saint Vincent, Martyr, the patron saint of Valencia. Imprisoned in Valencia, the archdeacon of Saragossa faced his test of faith in 304. After stretching him on a rack, Vincent’s tormenters were frustrated by his calm and even joyful countenance despite the pain they inflicted. His flesh was torn by hooks, and he was tied to a red-hot iron grate. As if that was not enough, they rubbed salt in his wounds before he succumbed to the multitude of his injuries. His mangled body was thrown in the sea but washed ashore where his relics were guarded by a raven until retrieved by the faithful.

Two-hundred and seven stairs ascend the interior of the tower of the cathedral. Two family members elected to climb, while one volunteered to stay at the base in case they needed her for scale in photos.

So, maybe are destined to never find a trail to the Holy Grail. That is, unless we travel to Leon in northern Spain and pay the entrance fee to the museum in the Basilica of San Isidoro, where another “real” grail is housed.

Postcard from Campeche, Mexico: A glimpse of her churches

The simple profiles of some of the colonial churches serving different neighborhoods in Campeche City resemble Missions Espada and San Juan Capistrano in San Antonio, but peeking inside reveals ornate and colorful surprises.

The Black Christ on the crucifix in Iglesia San Roman is heavily visited by the faithful who credit the figure imported from Italy in 1575 with a multitude of miracles. The festival in honor of the figure is one of Campeche’s largest, aside from the far less reverent celebration of Carnaval.

We were in Campeche on February 2, El Dia de La Candelaria or Candlemas in English. Celebrated to commemorate the day Jesus was presented at the Temple in Jerusalem, El Dia de La Candelaria is the final day of the extended Christmas season in Mexico. During the evening mass, the pews of Iglesia de San Francisco were filled with parishioners accompanied by the figures of Jesus Nino dressed in new finery waiting to be blessed. So wished we could have taken photos of ninos. Numerous families had their doors wide open to their living rooms to welcome friends and neighbors to view their nativity scenes and eat tamales provided by those who found the baby in their slices of roscas de reyes, kings’ cakes, on January 6.