Viewing San Antonio through a Spaniard’s eyes

Murals by Spanish artist Daniel Munoz, or SAN, transform window frames bricked in long ago on the back of the former home of the Beethoven Maennerchor in Hemisfair into points of interest. SAN peered into the city’s past and how it contributes to the city of today in recognition of the San Antonio’s Tricentennial. The mural on the back of what is now Magik Theatre was commissioned by the city’s Public Art Department and Luminaria working in conjunction with Ink and Movement in Madrid.

These cellphone snaps represent a small sampling of SAN’s images. Love the way he captured the man peering into the dime store to represent the impending desegregation of the lunch counter in San Antonio; four Blacks broke a major color barrier when they were served there on March 16, 1960. Wonder if the muralist knew the 97-year-old former Woolworth’s, regarded as a landmark in the history of the Civil Rights Movement, is endangered by the current version of the Alamo Comprehensive Interpretive Plan. The building’s significance for the community is obvious even to someone from another country.


Luminaria Arts Night Shimmers

The first Luminaria on Alamo Plaza was magical.

Replicating that feeling the following years proved difficult.

But last night, organizers and artists had a new formula nailed. There was room to move and more to see and experience than you could possibly squeeze into the fleeting five hours.

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And, in defiance of the predicted rain, the apocryphal Saint Apophenia, “the patron saint of fortune tellers, the mentally ill, coincidence, patternmakers and artists,” kept the clouds from crying on the crowds.

Update on March 11, 2013: First impressions of Luminaria from the website of the Express-News

Update on January 13, 2014: An artistic pilgrimage to artist Chris Sauter’s Saint Apophenia is underway in San Antonio currently: