Sam Maverick’s bell is still there. Melt more guns.

stmarkstemp

Don’t know why I have been so worried. But every time I pedaled by St. Mark’s Episcopal Church while it was undergoing renovation, I fretted the bell would disappear when the scaffolding was removed. The bell and an old image of the church inspired me to make “Peace be with you” in 2005.

Hanging in an arch on Jefferson Street, the bell’s past was not peaceful. Legend says it saw service during the Battle of the Alamo. According to the church’s website:

The church bell was cast from a bronze cannon found buried near the Alamo on the grounds of the home of founding members Samuel and Mary A. Maverick.

Abe Levy writes in the San Antonio Express-News the completion of work on the sanctuary will be celebrated on February 3:

St. Mark’s Episcopal Church has had a storied past with the likes of Robert E. Lee among its flock, and Lyndon Johnson marrying Lady Bird inside its native limestone walls.

Among the city’s oldest Protestant churches, it is a downtown landmark with a rich history, especially for generations of Episcopalians.

After 15 years of studying plans and raising money for a campus-wide  restoration, St. Mark’s is celebrating its $15 million overhaul. Its most recent phase is a $2.6 million facelift of its sanctuary, originally completed in 1875….

Established in 1858, St. Mark’s is considered the flagship congregation of the Episcopal Diocese of West Texas, producing many bishops through the years and lending the most financial support to diocesan operations among the diocese’s 90 congregations in South Central Texas….

Led by architecture firm Ford, Powell & Carson, renovation work included repositioning the altar to face the congregation. Care was taken to use original colors in plastering and paint, said Father Mike  Chalk, rector.

“We took our history very seriously,” he said. “We went back to early pictures of the building, and as we did the restoration, we noticed some colors associated with the original colors of the building…. We’re really trying to  reclaim the beauty of the building.”

The entire project was aimed to enhance the original architecture by the celebrated Richard Upjohn, who designed Trinity Church on Wall Street. St. Mark’s is a rare example of Upjohn’s work west of  the Mississippi River and is believed to be his only design in San Antonio.

From my print:

They say Sam Maverick forged the bell for St. Mark’s from a cannon used during the Battle of the Alamo.

If only the concept proved contagious….

That bell means a lot to me.

As I pedal by, often with the melody of some ancient hymn echoing in my mind from the carillon at St. John’s Lutheran Church, I wonder how all those semiautomatic assault rifles would sound ringing in church towers throughout the country.

Certainly a lot better than the sound of parents crying.

Note: Apologies for such a low-resolution image. Many of my print images temporarily are trapped in my old computer. My website is also in transition and in somewhat of a state of decomposition, but “peace” is there, albeit in equally low resolution.

John Gage: ‘I’m a young man now grown older….’

How does it happen? Another year slips by. We might not even notice if mirrors (bad inventions) did not lie.

Some of us ignore the mounting birthdays, others do more than take it in stride. They celebrate each new candle exuberantly; the “Blues Twins” are among these.  In fact, Becky Yelderman and Charlotte Wilke take pleasure in planning their own party, the way they want it.

But the party is never just about them; it’s always about raising money to help someone else. This year is no different.

Will Owen Gage and John Gage

Slated to get underway at 8 p.m. on Saturday, January 29, at The Cove, The Sixth Annual Blues Twins Birthday Bash will serve as a benefit to help defray the recent heart-related medical expenses of a musician, John Gage. Featured musicians will be The Lavens, After Midnight Blues Band and Gage’s son, Will Owen Gage.

While the blazing blues guitar player Will, who did not get his own guitar until he was four, is well-known here, John is not. That’s because his folk-singing father is based in Louisville.

Although a regular on festival stages, John Gage is known for his willingness to play “anyplace where there might be a potential audience wanting to sing along.” With his flat-picking guitar-style, he draws on traditions of ancient balladeers and poets. Interesting the next generation in music is of great importance to him:

John has extensive experience planning collaboratively with classroom teachers for arts education programs and participating in curriculum planning. In addition, he conducts interactive workshops and motivational speeches throughout the southeast region in an effort to help educators and parents understand how personal involvement with music and other performing arts contribute to improved academic learning and overall personal well-being.

John is a repeat emcee at major festivals through Kentucky and hosts a regular radio show reminiscent of old-time radio programs, Kentucky Homefront, on WFPK. The “front-porch” broadcasts are meant to serve as:

a gathering place for friends and where strangers become friends; a place for sharing and creating traditions.

Which sounds a lot like The Cove. Will Owens Gage and the younger generation of The Lavens have grown up together right in front of us on The Cove’s stage. Drummer Karl Yelderman and bass player Daryl Chadick of the After Midnight Blues Band used to back up some of Will’s earlier bands and have played with him as a trio known as The Burning Sensations.

When Will was in high school and would sometimes sit in with After Midnight, his cellphone rang at the precise time the gig was supposed to end. Never eager to stop, the band would play on. Will would put the phone down on the stage so his mom could hear and not worry he was out late without a good reason.

While the name of Will’s father is not a household one here, he’s automatically part of the extended musical family fostered on the stage of The Cove through the years. And this family member needs your help. So plan to support The Blues Twins Birthday Bash and Benefit for John Gage on the 29th. A $5 donation at the door gets you in for an evening of great music in a place where there are no strangers once you walk through the door.

How brief is a lifetime
How restless is late
How bright is the sunshine
How long is the wait

excerpt from “How” by John Gage

Seduced away from intellectual pursuits by the sounds of the squeezebox….

Last year during the Texas State Book Fair in Austin, my daughter and I left the Paramount Theatre inspired by the words of Margaret Atwood.  As much as I love hearing great authors muse on their writings and on the art of writing itself, this year I felt conflicted.  Why would someone have scheduled the Book Fair on the same weekend as the International Accordion Festival?

I’m weak.  The squeezebox won.

Funding woes put a little bit of a squeeze on the Accordion Festival’s schedule this year – one stage instead of two, not as many groups from distant lands, not as many good food booths – but, hey, it’s admission-free and almost in my backyard.  Missed some of the performances, but enjoyed Copper BoxOrgullo Vallenato and Debra Peters and the Love Saints.  And then there was the hometown band that blew everyone away with a sound like Brave Combo on speed – Piñata Protest.

Only hope the festival can grow back to two stages next year and does not conflict with the Texas State Book Fair.

Note Added on October 25:  The “Arty Semite” blogs about Socalled’s set, which I unfortunately missed.