Take pleasure in little unauthorized treasures along the River Walk before they vanish

How could I have missed these voluntary works of public art placed anonymously along the River Walk, coincidentally close to the Southwest School of Art? But I did.

Because they are tiny, probably averaging six inches tall.

Stumbled across my oversight in a clip from a KLRN Arts show, a repeat of a broadcast originally airing this past February.

 

Of course, I went searching for them in the stretch between the North St. Mary’s and McCullough bridges. I know I missed some, but many already are barely shadows of their original selves. They are fading away.

Certainly, I feel guilty publicizing unauthorized art along the River Walk. But these are so small and give those spying them such pleasure.

Their whimsy would be lost if both magnified and multiplied. Containment is an issue. Graffiti-abatement is a constant battle, with inner-city graffiti more threatening than aesthetically appealing. Most of the walls under bridges are coated with graffiti-repellant paint.

But for me, these particular works resound as a call for a different form of public art. Maybe large-scale, expensive undertakings could be supplemented by extremely small installations in unexpected places. Artwork many might overlook, but so rewarding for those who encounter them.

Go on a hunt for these treasures before they completely disappear.

Playspace of Yanaguana Garden bursts into bloom October 2

A spiraling “Blue Hole” at the center of Oscar Alvarado’s elongated serpentine mosaic bench is one of many features defining a sense of place in the soon-to-be-unveiled Yanaguana Garden at the southeast corner of Hemisfair. The Blue Hole north of Brackenridge Park is the spring feeding the river in the land native Payaya Indians referred to as Yanaguana.

Opening to the public the weekend of October 2, Yanaguana Garden is an admission-free playscape for young and old with water features for splashing, swings of all types, giant chess boards, a bocce court, pingpong tables, benches for sitting, a sandbox for crafting drip castles, “trees” for climbing and actual mature trees for shading. The springy base cushioning the areas under climbing structures is amazingly soft to walk across.

The engaging interactive public art created by a team of San Antonio artists led by Stuart Allen carries out the playful theme, including playhouses, metal puptents by Joey Fauerso, Allen’s how-to-build-a-kite bench, Jen Khoshbin’s stage for plays and a sound installation by Justin Boyd. These touch-me works of art were administered by Public Art San Antonio (PASA) with funds provided by the 2012-2017 bond program.

All of these elements are nestled respectfully among historic homes, remnants of the original neighborhood eliminated by HemisFair ’68. These are being repurposed to weave a portion of the fabric that will form a new neighborhood as Hemisfair continues to evolve.

Design for the playscape fell under the guidance of landscape architect Susan Goltsman, president of MIG. Based in Berkeley, California, the design firm prides itself for building inclusive environments.

For those who are not within walking distance of this new addition to the ‘hood, arrangements have been made for free parking in three large lots on the south side of Cesar Chavez (Charango) Boulevard on opening weekend.

To find out more about contributing to reshape Hemisfair, visit https://www.hemisfairconservancy.org.

Traveling around the world via accordion….

Started in San Antonio on the banks of the river with Santiago Jimenez, Jr. But then, only a short stroll away at the International Accordion Festival in La Villita, Mahala Nola transported us to Bulgaria and Serbia. Then we switched to music sounding as though it was being performed along the Seine by Musette Explosion, a trio based in New York City.

Paused between stages for a Pakistani kebab from Rickshaw Stop.

Then went back riverside for the ruckus-causing group Buyepongo from Los Angeles. And we ended up listening to Russian-Ukranian-conjunto(?) played by the Flying Balalaika Brothers.

And that was in only four hours. If you are reading this before 8 p.m. on Saturday, September 12, stop and zip over to La Villita before it’s too late. Incredible music rarely heard in one venue, and it’s admission-free.